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Displaying results 1 to 7 of 7.

  1. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitäts- und Landesbibliothek Münster
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Subjects: Literatur; Englisch; Schallaufzeichnung
    Scope: 1 Online-Ressource (xv, 229 Seiten), Illustrationen
  2. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: 2019
    Publisher:  Stanford University Press, Redwood City ; ProQuest, Ann Arbor, Michigan

    From the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of... more

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

     

    From the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of literature.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Scope: 1 Online-Ressource (249 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: 2019
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Volltext (lizenzpflichtig)
  4. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    No inter-library loan

     

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  5. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    No inter-library loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Subjects: Englisch; Literatur; Schallaufzeichnung
    Scope: 1 Online-Ressource (xv, 229 Seiten), Illustrationen
  6. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  7. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]; © 2019
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: Englisch; Literatur; Schallaufzeichnung
    Other subjects: English literature / Audio adaptations / History and criticism; Literature and technology / History; Sound recordings / History; Oral interpretation / History; Phonograph / History
    Scope: 1 Online-Ressource (xv, 229 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index