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  1. World of Echo
    Noise and Knowing in Late Medieval England
    Author: Lears, Adin E.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca, NY

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo,... more

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    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749629
    Other identifier:
    Subjects: England; Literary Studies; HISTORY / Medieval; Noise; Sound
    Scope: 1 online resource (248 pages), 6 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  2. World of Echo
    Noise and Knowing in Late Medieval England
    Author: Lears, Adin E.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca, NY

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo,... more

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    Technische Hochschule Augsburg
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749629
    Other identifier:
    Subjects: England; Literary Studies; HISTORY / Medieval; Noise; Sound
    Scope: 1 online resource (248 pages), 6 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  3. World of echo
    noise and knowing in late medieval England
    Author: Lears, Adin Esther
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    "By showing how medieval thinkers used the idea of noise to conceive of lay experience and expression, this book amplifies the history of cultural and social hierarchies around aesthetic experience and gives voice to alternate ways of knowing"--... more

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    "By showing how medieval thinkers used the idea of noise to conceive of lay experience and expression, this book amplifies the history of cultural and social hierarchies around aesthetic experience and gives voice to alternate ways of knowing"-- Introduction : World of Echo -- "Clamor iste canor est" : Rolle's Heavenly Song and the Lay Theology of Noise -- "Nota de clamore" : Echoic Mysticism and Margery Kempe's Clamorous Style -- "Wondres to here" : Noise, Soundplay, and Langland's Poetics of Lolling in the Time of Wyclif -- "Litel sercle[s]" of Sound : Resonance and the Noise of Language in Chaucer's House of Fame -- "A Verray Jangleresse" : Experience, Authority, and the Voice of the Wife of Bath -- Epilogue : Echoic Afterlives.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1501749625; 1501749617; 9781501749629; 9781501749612
    Subjects: Sound; Noise; Intellectual life; Noise ; Social aspects; HISTORY / Medieval; History
    Scope: 1 Online-Ressource (xv, 232 pages), illustrations
    Notes:

    Includes bibliographical references and index
  4. World of Echo
    Noise and Knowing in Late Medieval England
    Author: Lears, Adin E
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo,... more

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    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models Frontmatter -- Contents -- Acknowledgments -- List of Abbreviations -- Note on Transliteration -- Introduction: Voice in Medieval Soundscapes -- 1. “Clamor Iste Canor Est”: Rolle’s Heavenly Song and the Lay Theology of Noise -- 2. “Nota de Clamore”: Echoic Mysticism and Margery Kempe’s Clamorous Style -- 3. “Wondres to Here”: Noise, Soundplay, and Langland’s Poetics of Lolling in the Time of Wyclif -- 4. “Litel Sercles” of Sound: Resonance and the Noise of Language in Chaucer’s House of Fame -- 5. “A Verray Jangleresse”: Experience, Authority, and the Blisse of the Wife of Bath -- Epilogue: Echoic Afterlives -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749629
    Other identifier:
    Subjects: Noise; Sound; HISTORY / Medieval
    Scope: 1 Online-Ressource (248 p), 6 b&w halftones
  5. World of Echo
    Noise and Knowing in Late Medieval England
    Author: Lears, Adin E.
    Published: [2020]; ©2020
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo,... more

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    Universitätsbibliothek Gießen
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    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749629
    Other identifier:
    Scope: 1 Online-Ressource (248 p.), 6 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  6. World of Echo
    Noise and Knowing in Late Medieval England
    Author: Lears, Adin E
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models Frontmatter -- Contents -- Acknowledgments -- List of Abbreviations -- Note on Transliteration -- Introduction: Voice in Medieval Soundscapes -- 1. “Clamor Iste Canor Est”: Rolle’s Heavenly Song and the Lay Theology of Noise -- 2. “Nota de Clamore”: Echoic Mysticism and Margery Kempe’s Clamorous Style -- 3. “Wondres to Here”: Noise, Soundplay, and Langland’s Poetics of Lolling in the Time of Wyclif -- 4. “Litel Sercles” of Sound: Resonance and the Noise of Language in Chaucer’s House of Fame -- 5. “A Verray Jangleresse”: Experience, Authority, and the Blisse of the Wife of Bath -- Epilogue: Echoic Afterlives -- Bibliography -- Index

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749629
    Other identifier:
    Subjects: Noise; Sound; HISTORY / Medieval
    Scope: 1 Online-Ressource (248 p), 6 b&w halftones