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  1. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 9781501722936
    Other identifier:
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: Englisch; Literatur
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  2. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    ISBN: 9781501722936
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    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  3. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 2018; ©1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
    Other identifier:
    Subjects: LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction. Modernism and the Origins of Caribbean Literature -- -- 1. Caribbean Modernist Discourse : Writing, Exile, and Tradition -- -- 2. From Exile to Nationalism: The Early Novels of George Lamming -- -- 3. Beyond the Kala-Pani: The Trinidad Novels of Samuel Selvon -- -- 4. The Deformation Of Modernism: The Allegory of History in Carpentier's El siglo de las luces -- -- 5. Modernism and the Masks of History: The Novels of Paule Marshall -- -- 6. Writing after Colonialism: Crick Crack, Monkey and Beka Lamb -- -- 7. Narration at the Postcolonial Moment: History and Representation in Abeng -- -- Conclusion -- -- Index
  4. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
    Other identifier:
    Subjects: Englisch; Literatur
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  5. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  6. Writing in Limbo
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; OAPEN FOUNDATION, The Hague

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. ; In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936; 9780801425752; 9781501722943; 9781501719905
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur; Literary studies: post-colonial literature; Literary studies: from c 1900 -
    Other subjects: Literature: history and criticism; Literary studies: c 1900 to c 2000
    Scope: 1 Online-Ressource (276 p.)
  7. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y.

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936; 150172293X; 1501719904; 9781501719905
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur; Caribbean fiction (English); West Indian fiction (English); Modernism (Literature); Modernism (Literature); Caribbean fiction (English); Modernism (Literature); West Indian fiction (English); Englisch; Literatur
    Scope: 1 Online-Ressource (x, 260 Seiten)
    Notes:

    Includes bibliographical references and index
  8. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: [2018]; ©1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

     

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
    Other identifier:
    Scope: 1 Online-Ressource (260 Seiten)
  9. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y.

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  10. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    Universität Potsdam, Universitätsbibliothek
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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. ; In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
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    ISBN: 9781501722936; 9780801425752; 9781501722943; 9781501719905
    Other identifier:
    hdl: 20.500.12854/99383
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: Literary studies: post-colonial literature; Literary studies: from c 1900 -
    Scope: 1 Online-Ressource (276 p.)
  11. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y. ; Project MUSE, Baltimore, Md.

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    Source: Union catalogues
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    ISBN: 9781501722936; 150172293X
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur
    Scope: 1 Online-Ressource (x, 260 p. )
    Notes:

    Includes bibliographical references and index

    Description based on print version record
  12. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 2018; © 1992
    Publisher:  Cornell University Press, Ithaca ; London

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    ISBN: 9781501722936
    Other identifier:
    Subjects: Carpentier, Alejo; Karibik; Literatur; Englisch; Geschichte 1945-1990; England; Literatur; Karibik; Geschichte 1945-1990; Westindien; Literatur; Geschichte 1945-1990
    Scope: 1 Online-Ressource (x, 260 Seiten)
  13. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

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    Universität Potsdam, Universitätsbibliothek
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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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