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  1. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: [2018]; © 1993
    Publisher:  Cornell University Press, Ithaca, NY

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility

     
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    ISBN: 9781501722677
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    Series: Reading Women Writing
    Subjects: Prostituierte <Motiv>; Gefallenes Mädchen; Moral <Motiv>; Englisch; Frau <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  2. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

     
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    Language: English
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    ISBN: 9781501722677
    Other identifier:
    Series: Reading Women Writing
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  3. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: 2018; ©1993
    Publisher:  Cornell University Press, Ithaca, NY

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677
    Other identifier:
    Series: Reading Women Writing
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. Mid-Victorian Conceptions of Character, Agency, and Reform: Social Science and the “Great Social Evil” -- -- 2. “The Taint the Very Tale Conveyed” : Self-Reading, Suspicion, and Fallenness in Dickens -- -- 3· Melodrama, Morbidity, and Unthinking Sympathy: Gaskell' s Mary Barton and Ruth -- -- 4 . Dramatic Monologue in Crisis: Agency and Exchange in D. G. Rossetti's “Jenny” -- -- 5 . Reproduced in Finer Motions: Encountering the Fallen in Barrett Browning's Aurora Leigh -- -- Afterword: Intersubjectivity and the Politics of Poststructuralism -- -- Works Cited -- -- Index
  4. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: [2018]; © 1993
    Publisher:  Cornell University Press, Ithaca, NY

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677
    Other identifier:
    Series: Reading Women Writing
    Subjects: Prostituierte <Motiv>; Moral <Motiv>; Literatur; Frau <Motiv>; Englisch; Gefallenes Mädchen
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  5. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

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    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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    Volltext (kostenfrei)
  6. Tainted Souls and Painted Faces
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca ; OAPEN FOUNDATION, The Hague

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677; 9781501727733; 9781501722684; 9780801427817
    RVK Categories: HL 1101
    Series: Reading Women Writing
    Subjects: Englisch; Prostituierte <Motiv>; Gefallenes Mädchen; Moral <Motiv>; Literatur; Literary studies: c 1800 to c 1900; Gender studies: women
    Other subjects: Literature: history and criticism; Sex and sexuality, social aspects
    Scope: 1 Online-Ressource (264 p.)
  7. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

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  8. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677; 1501722670
    Series: Reading women writing
    Subjects: Sex role in literature; Prostitutes in literature; Moral conditions in literature; Prostitution; Women and literature; English literature; Women and literature ; Great Britain ; History ; 19th century; English literature ; 19th century ; History and criticism; Femmes et litterature ; Grande-Bretagne ; 19e siecle ; ram; Litterature anglaise ; 19e siecle ; Histoire et critique ; ram; Sex role in literature ; nli; Prostitution in literature ; nli; Moral conditions in literature ; nli; Prostitution ; Great Britain ; History ; 19th century ; nli; Women and literature ; Great Britain ; 19th century ; nli; French literature ; 19th century ; History and criticism ; nli; Engels ; gtt; Prostitutie ; gtt; Vrouwen ; gtt; Letterkunde ; gtt; Prostituierte ; gnd; Prostituierte ; Motiv ; gnd; Moral ; Motiv ; gnd; Literatur ; gnd; Geschlechterrolle ; Motiv ; gnd; Gefallenes Mädchen ; gnd; Frau ; Motiv ; gnd; Englisch ; gnd; Geschichte 1837-1901 ; swd; Geschichte 1832-1902 ; swd; litterature anglaise ; prostitution ; 19e s ; rero; Rôle selon le sexe ; Dans la litterature ; ram; Prostitution dans la litterature ; ram; Prostitution ; Histoire ; Grande-Bretagne ; 19e siecle ; ram; Englisch ; swd; Sex role in literature; Prostitutes in literature; Moral conditions in literature; Prostitution ; Great Britain ; History ; 19th century; Rôle selon le sexe dans la litterature; Prostituees dans la litterature; Conditions morales dans la litterature; Prostitution ; Grande-Bretagne ; Histoire ; 19e siecle; Femmes et litterature ; Grande-Bretagne ; Histoire ; 19e siecle; Litterature anglaise ; 19e siecle ; Histoire et critique; Literatur; Geschichte; Frau; Englisch; Rôle selon le sexe dans la litterature; Prostituees dans la litterature; Prostitution - Grande-Bretagne - Histoire - 19e siecle; Litterature anglaise - 19e siecle - Histoire et critique; Femmes et litterature - Grande-Bretagne - Histoire - 19e siecle; Conditions morales dans la litterature; Grossbritannien; litterature anglaise ; prostitution ; 19e s; Geschlechterrolle ; Motiv; Gefallenes Mädchen; Frau ; Motiv; French literature ; 19th century ; History and criticism; Women and literature; Sex role in literature; Prostitution; Geschichte 1832-1902; Moral conditions in literature; English literature; Engels; Prostitution ; Histoire ; Grande-Bretagne ; 19e siecle; Femmes et litterature ; Grande-Bretagne ; 19e siecle; Prostitution in literature; Geschichte 1837-1901; Letterkunde; Literatur; Prostitution dans la litterature; Women and literature ; Great Britain ; 19th century; Englisch; Rôle selon le sexe dans la litterature; Prostitutie; Vrouwen; Litterature anglaise - 19e siecle - Histoire et critique; Prostituierte; Prostituierte ; Motiv; Englisch; Great Britain; Moral ; Motiv; History; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (x, 250 p. )
    Notes:

    Includes bibliographical references (p. [235]-236) and index. - Description based on print version record
  9. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Verlag (kostenfrei)
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility

     
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    Source: Staatsbibliothek zu Berlin
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    Format: Online
    ISBN: 9781501722677; 9781501727733; 9781501722684; 9780801427817
    Other identifier:
    hdl: 20.500.12854/99364
    RVK Categories: HL 1101
    Series: Reading Women Writing
    Subjects: Literary studies: c 1800 to c 1900; Gender studies: women
    Scope: 1 Online-Ressource (264 p.)
  10. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca ; Project MUSE, Baltimore, Md.

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677; 1501722670
    RVK Categories: HL 1101
    Subjects: Englisch; Prostituierte <Motiv>; Gefallenes Mädchen; Moral <Motiv>; Literatur
    Scope: 1 Online-Ressource (x, 250 p. )
    Notes:

    Includes bibliographical references (p. [235]-236) and index

    Description based on print version record
  11. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 2018; © 1993
    Publisher:  Cornell University Press, Ithaca ; London

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677; 9781501727733
    Other identifier:
    Series: Reading women writing
    Subjects: Englisch; Literatur; Prostituierte <Motiv>; Geschichte 1840-1870; Englisch; Literatur; Gefallenes Mädchen; Geschichte 1840-1870
    Scope: 1 Online-Ressource (x, 250 Seiten)
  12. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

    Access:
    Verlag (kostenfrei)
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    Resolving-System (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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  13. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: [2018]; ©1993
    Publisher:  Cornell University Press, Ithaca, NY

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

     

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677
    Other identifier:
    Series: Reading women writing
    Scope: 1 Online-Ressource (250 Seiten)
    Notes:

    Literatur: Seite 235-244