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  1. Grotesque visions
    the science of Berlin Dada
    Published: 2021
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, London

    "Grotesque Visions examines the Berlin Dada artists-such as Salomo Friedlñder (aka Mynona), Til Brugman, and Hannah Höch-who criticized, satirized, and subverted, through their use of the artistic grotesque, the scientific practices and evidentiary... more

    Access:
    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    "Grotesque Visions examines the Berlin Dada artists-such as Salomo Friedlñder (aka Mynona), Til Brugman, and Hannah Höch-who criticized, satirized, and subverted, through their use of the artistic grotesque, the scientific practices and evidentiary claims of late-19th- and early-20th-century scientists. Demonstrating how pathologists, anthropologists, sexologists, and medical scientists who went to excessive measures to create professional and public environments in which they could present their research in a seemingly unambiguous way, this volume shows how the practices and responses of Dada artists challenged these forms of supposed scientific objectivity. The volume concludes by examining a recent exhibition: Grotesk!: 130 Jahre Kunst der Frechheit / Comic Grotesque: Wit and Mockery in German Arts, 1870-1940 , which traveled through Europe and the United States between 2003 and 2005. In contrast to the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque at the turn of the last fin-de-sic̈le ."--...

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501369933; 9781501369919
    Other identifier:
    DDC Categories: 100; 700
    Edition: First edition
    Series: New Directions in German Studies.
    Subjects: Dadaismus; Wissenschaft; Rezeption; Künste; Ästhetik; Das Groteske
    Scope: 1 Online-Ressource (288 pages)
    Notes:

    Literary Studies 2021

  2. Grotesque visions
    the science of Berlin Dada
    Published: 2021
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

    Acknowledgements -- Note on Style and Sources List of Figures -- 1. The Return of the Grotesque -- 2. The Science of Berlin Dada: Salomo Friedlñder, Walter Benjamin, and the Grotesque -- 3. The Architectonics of Public Science: 'Learning to See' in... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Acknowledgements -- Note on Style and Sources List of Figures -- 1. The Return of the Grotesque -- 2. The Science of Berlin Dada: Salomo Friedlñder, Walter Benjamin, and the Grotesque -- 3. The Architectonics of Public Science: 'Learning to See' in Rudolf Virchow's Museum of Pathology -- 4. Sexuality ad oculos : Sigmund Freud and Magnus Hirschfeld Meet Til Brugman's 'Celluloid Children' -- 5. The Optics of Evidence: Photography and Vision in Berlin Anthropology -- 6. Visual Objectivity Meets Impossible Object: Hannah Höch 'From an Ethnographic Museum' Photomontages -- 7. Learning to See Grotesquely Coda: Toward a Critique of the Dogma of Visuality -- Bibliography -- Index. "Grotesque Visions examines the Berlin Dada artists-such as Salomo Friedlñder (aka Mynona), Til Brugman, and Hannah Höch-who criticized, satirized, and subverted, through their use of the artistic grotesque, the scientific practices and evidentiary claims of late-19th- and early-20th-century scientists. Demonstrating how pathologists, anthropologists, sexologists, and medical scientists who went to excessive measures to create professional and public environments in which they could present their research in a seemingly unambiguous way, this volume shows how the practices and responses of Dada artists challenged these forms of supposed scientific objectivity. The volume concludes by examining a recent exhibition: Grotesk!: 130 Jahre Kunst der Frechheit / Comic Grotesque: Wit and Mockery in German Arts, 1870-1940 , which traveled through Europe and the United States between 2003 and 2005. In contrast to the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque at the turn of the last fin-de-sic̈le ."--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501369933; 9781501369919
    Other identifier:
    Edition: First edition
    Series: New Directions in German Studies
    Subjects: Dadaism; Art and society; Arts, Modern; Literary studies: fiction, novelists & prose writers; Electronic books
    Scope: 1 Online-Ressource (288 pages)
  3. Grotesque visions
    the science of Berlin Dada
    Published: 2021
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

    Acknowledgements -- Note on Style and Sources List of Figures -- 1. The Return of the Grotesque -- 2. The Science of Berlin Dada: Salomo Friedlñder, Walter Benjamin, and the Grotesque -- 3. The Architectonics of Public Science: 'Learning to See' in... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    Acknowledgements -- Note on Style and Sources List of Figures -- 1. The Return of the Grotesque -- 2. The Science of Berlin Dada: Salomo Friedlñder, Walter Benjamin, and the Grotesque -- 3. The Architectonics of Public Science: 'Learning to See' in Rudolf Virchow's Museum of Pathology -- 4. Sexuality ad oculos : Sigmund Freud and Magnus Hirschfeld Meet Til Brugman's 'Celluloid Children' -- 5. The Optics of Evidence: Photography and Vision in Berlin Anthropology -- 6. Visual Objectivity Meets Impossible Object: Hannah Höch 'From an Ethnographic Museum' Photomontages -- 7. Learning to See Grotesquely Coda: Toward a Critique of the Dogma of Visuality -- Bibliography -- Index. "Grotesque Visions examines the Berlin Dada artists-such as Salomo Friedlñder (aka Mynona), Til Brugman, and Hannah Höch-who criticized, satirized, and subverted, through their use of the artistic grotesque, the scientific practices and evidentiary claims of late-19th- and early-20th-century scientists. Demonstrating how pathologists, anthropologists, sexologists, and medical scientists who went to excessive measures to create professional and public environments in which they could present their research in a seemingly unambiguous way, this volume shows how the practices and responses of Dada artists challenged these forms of supposed scientific objectivity. The volume concludes by examining a recent exhibition: Grotesk!: 130 Jahre Kunst der Frechheit / Comic Grotesque: Wit and Mockery in German Arts, 1870-1940 , which traveled through Europe and the United States between 2003 and 2005. In contrast to the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque at the turn of the last fin-de-sic̈le ."--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501369933; 9781501369919
    Other identifier:
    Edition: First edition
    Series: New Directions in German Studies
    Subjects: Dadaism; Art and society; Arts, Modern; Electronic books; Literary studies: fiction, novelists & prose writers
    Scope: 1 Online-Ressource (288 pages)