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Displaying results 1 to 5 of 5.

  1. Grotesque visions
    the science of Berlin Dada
    Author: Haakenson, Thomas O.
    Published: ©2021; [2021]
    Publisher:  Bloomsbury Academic, New York

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and... more

     

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--(Provided by publisher.)

     
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  2. Grotesque visions
    the science of Berlin Dada
    Author: Haakenson, Thomas O.
    Published: 2021
    Publisher:  Bloomsbury Academic, New York

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501369902
    Series: New directions in German studies ; vol. 32
    Subjects: Grotesque in art; Grotesque in literature; Science in art; Science in literature; Avant-garde (Aesthetics); German literature; Literature, Experimental
    Scope: xi, 260 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 224-254
  3. Grotesque visions
    the science of Berlin Dada
    Author: Haakenson, Thomas O.
    Published: 2021
    Publisher:  Bloomsbury Academic, London

    Grotesque Visions focuses on the radical avantgarde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoech as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... more

    Location:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Grotesque Visions focuses on the radical avantgarde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoech as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedlander/Mynona, Brugman, Hoech, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siecle.

     
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    Source: Union catalogues
    Contributor: Meyer, Imke (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501369902
    Other identifier:
    9781501369902
    Series: New Directions in German Studies
    Subjects: Wissenschaft; Rezeption; Dadaismus; Künste; Ästhetik; Das Groteske
    Scope: xi, 260 Seiten, Illustrationen, 21,6 cm
  4. Grotesque visions
    the science of Berlin Dada
    Author: Haakenson, Thomas O.
    Published: 2023
    Publisher:  Bloomsbury Academic, New York

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2023/3776
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 GM 1612 H111
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501369940; 9781501369902
    Other identifier:
    9781501369940
    RVK Categories: GM 1612
    Edition: Paperback edition
    Series: New directions in German studies ; vol.32
    Subjects: Art, German; Dadaism; Grotesque in art
    Scope: xi, 260 Seiten, 22 cm
    Notes:

    Originally published: 2021

    Bibliografie Seite 224-254, Index Seite 255-260
  5. Grotesque visions
    the science of Berlin Dada
    Author: Haakenson, Thomas O.
    Published: 2021
    Publisher:  Bloomsbury Academic, New York

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:3174:
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 2306
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    No inter-library loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501369902
    Series: New directions in German studies ; vol. 32
    Subjects: Grotesque in art; Grotesque in literature; Science in art; Science in literature; Avant-garde (Aesthetics); German literature; Literature, Experimental
    Scope: xi, 260 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 224-254