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Introduction: The fabric of dreams -- From automaton to movie camera : Méliès, Selznick, Scorsese -- The vast structure of recollection : Tarkovsky, Proust, Yourcenar -- In that sleep of death what dreams may come : Van Gogh, Kurosawa, Yourcenar -- The dark hollow at the back of the head : Woolf and Daldry -- In the paradise of trapdoors : Proust, André Breton, and Raúl Ruiz -- Dream of the Red Chamber 2046 : Cao Xueqin and Wong Kar-wai -- Let this novel begin : Sorrentino and Proust -- Conclusion: The art of time regained : to be continued. "Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn't have been able to achieve with its own instruments. Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality"--
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