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  1. Futurist conditions
    imagining time in Italian futurism
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to that historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions."

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501343094; 9781501343100
    Other identifier:
    RVK Categories: LH 67553
    Subjects: Photographic equipment & techniques / bicssc; Futurism (Art); Motion in art; Art and photography; Zeitlichkeit; Futurismus; Zeit <Motiv>
    Other subjects: Bragaglia, Carlo Ludovico (1894-1998); Boccioni, Umberto (1882-1916); Bragaglia, Arturo (1893-1962); Balla, Giacomo (1871-1958)
    Scope: 1 Online-Ressource (231 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    List of Plates -- List of Figures -- Acknowledgements -- Introduction: Temporal Imagination -- 1. The Bragaglias' Unreality -- 2. Balla's Transformation -- 3. Boccioni's Body-Buildings -- Conclusion: Collective Condition -- Index

  2. Futurist conditions
    imagining time in Italian futurism
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and... more

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    Resolving-System (lizenzpflichtig)
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to that historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions."

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501343094; 9781501343100
    Other identifier:
    RVK Categories: LH 67553
    Subjects: Photographic equipment & techniques / bicssc; Futurism (Art); Motion in art; Art and photography; Zeitlichkeit; Futurismus; Zeit <Motiv>
    Other subjects: Bragaglia, Carlo Ludovico (1894-1998); Boccioni, Umberto (1882-1916); Bragaglia, Arturo (1893-1962); Balla, Giacomo (1871-1958)
    Scope: 1 Online-Ressource (231 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    List of Plates -- List of Figures -- Acknowledgements -- Introduction: Temporal Imagination -- 1. The Bragaglias' Unreality -- 2. Balla's Transformation -- 3. Boccioni's Body-Buildings -- Conclusion: Collective Condition -- Index