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  1. The French genealogy of the Beat generation
    Burroughs, Ginsberg and Kerouac's appropriations of modern literature, from Rimbaud to Michaux
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence of the Beat Generation? French modernism did much more than inspire its first major writers, it materially shaped their works, as this comparative study reveals through close textual analysis of William Burroughs, Allen Ginsberg and Jack Kerouac's appropriations of French literature and culture. Sometimes acknowledged, sometimes not, their appropriations take multiple forms, ranging from allusions, invocations and citations to adaptations and translations, and they involve a vast array of works, including the poetic realist films of Carn ̌and Cocteau, the existentialist philosophy of Sartre, and the poems and novels of Baudelaire, Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Artaud, Cľine, Genet and Michaux. While clarifying the extent of Burroughs, Ginsberg and Kerouac's engagements with French literature and culture, in-depth analysis of their textual appropriations emphasises differences in their views of literature, philosophy and politics, which help us understand the early Beat circle was divided from the start. The book's close-readings also transform our perception of Burroughs' cut-up practice, Kerouac's spontaneous prose, and Ginsberg's poetics of open secrecy."--Bloomsbury Publishing Introduction : beyond "Rimbaud in a raincoat" -- Burroughs or Kerouac's Rimbaud : to be or not to be "l i t e r a r y" -- French poetic realist film in Kerouac's first bookmovie -- Kerouac's humanism : from Celine and Dostoevsky to Proust -- Burroughs' queer aesthetics : from Gide to Cocteau -- Looking back on Ginsberg's "Howl" from "Apollinaire's grave" -- The pitfalls of open secrecy : "Has nobody noticed St.-John Perse?" -- Burroughs' (anti)humanism : Saint Genet and the last lifeboat -- Burroughs, Michaux, and the future of literature -- Conclusion : a purloined genealogy

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501325076; 9781501325069; 9781501325052
    Other identifier:
    Subjects: Beat generation; American literature; American literature; American literature; American literature; Beat generation
    Scope: 1 Online-Ressource (xii, 340 p), Illustrationen
    Notes:

    Includes bibliographical references and index

  2. The French genealogy of the Beat generation
    Burroughs, Ginsberg and Kerouac's appropriations of modern literature, from Rimbaud to Michaux
    Published: 2017
    Publisher:  Bloomsbury Academic, New York, NY

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence of the Beat Generation? French modernism did much more than inspire its first major writers, it materially shaped their works, as this comparative study reveals through close textual analysis of William Burroughs, Allen Ginsberg and Jack Kerouac's appropriations of French literature and culture. Sometimes acknowledged, sometimes not, their appropriations take multiple forms, ranging from allusions, invocations and citations to adaptations and translations, and they involve a vast array of works, including the poetic realist films of Carn ̌and Cocteau, the existentialist philosophy of Sartre, and the poems and novels of Baudelaire, Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Artaud, Cľine, Genet and Michaux. While clarifying the extent of Burroughs, Ginsberg and Kerouac's engagements with French literature and culture, in-depth analysis of their textual appropriations emphasises differences in their views of literature, philosophy and politics, which help us understand the early Beat circle was divided from the start. The book's close-readings also transform our perception of Burroughs' cut-up practice, Kerouac's spontaneous prose, and Ginsberg's poetics of open secrecy."--Bloomsbury Publishing Introduction: beyond "Rimbaud in a raincoat" -- Burroughs or Kerouac's Rimbaud: to be or not to be "l i t e r a r y" -- French poetic realist film in Kerouac's first bookmovie -- Kerouac's humanism: from Celine and Dostoevsky to Proust -- Burroughs' queer aesthetics: from Gide to Cocteau -- Looking back on Ginsberg's "Howl" from "Apollinaire's grave" -- The pitfalls of open secrecy: "Has nobody noticed St.-John Perse?" -- Burroughs' (anti)humanism: Saint Genet and the last lifeboat -- Burroughs, Michaux, and the future of literature -- Conclusion: a purloined genealogy.

     

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  3. The French genealogy of the Beat generation
    Burroughs, Ginsberg and Kerouac's appropriations of modern literature, from Rimbaud to Michaux
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    "The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence of the Beat Generation? French modernism did much more than inspire its first major writers, it materially shaped their works, as this comparative study reveals through close textual analysis of William Burroughs, Allen Ginsberg and Jack Kerouac's appropriations of French literature and culture. Sometimes acknowledged, sometimes not, their appropriations take multiple forms, ranging from allusions, invocations and citations to adaptations and translations, and they involve a vast array of works, including the poetic realist films of Carn ̌and Cocteau, the existentialist philosophy of Sartre, and the poems and novels of Baudelaire, Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Artaud, Cľine, Genet and Michaux. While clarifying the extent of Burroughs, Ginsberg and Kerouac's engagements with French literature and culture, in-depth analysis of their textual appropriations emphasises differences in their views of literature, philosophy and politics, which help us understand the early Beat circle was divided from the start. The book's close-readings also transform our perception of Burroughs' cut-up practice, Kerouac's spontaneous prose, and Ginsberg's poetics of open secrecy."--Bloomsbury Publishing Introduction : beyond "Rimbaud in a raincoat" -- Burroughs or Kerouac's Rimbaud : to be or not to be "l i t e r a r y" -- French poetic realist film in Kerouac's first bookmovie -- Kerouac's humanism : from Celine and Dostoevsky to Proust -- Burroughs' queer aesthetics : from Gide to Cocteau -- Looking back on Ginsberg's "Howl" from "Apollinaire's grave" -- The pitfalls of open secrecy : "Has nobody noticed St.-John Perse?" -- Burroughs' (anti)humanism : Saint Genet and the last lifeboat -- Burroughs, Michaux, and the future of literature -- Conclusion : a purloined genealogy

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501325076; 9781501325069; 9781501325052
    Other identifier:
    RVK Categories: HU 1724 ; IH 1481
    Subjects: Beat generation; American literature; American literature; American literature; American literature; Beat generation
    Scope: 1 Online-Ressource (xii, 340 p), Illustrationen
    Notes:

    Includes bibliographical references and index