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Displaying results 1 to 3 of 3.

  1. The fetish
    literature, cinema, visual art
    Author: Fusillo, Massimo
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons--from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture."--Bloomsbury Publishing

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Simpson, Thomas (ÜbersetzerIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501312397; 9781501312373; 9781501312380
    Other identifier:
    RVK Categories: AP 50300 ; HM 1101
    Subjects: Fetishism in literature; Fetishism in art; Fetishism in art; Fetishism in literature
    Scope: 1 Online-Ressource (xii, 188 p)
    Notes:

    Includes bibliographical references and index
  2. The fetish
    literature, cinema, visual art
    Author: Fusillo, Massimo
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons--from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture."--Bloomsbury Publishing

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Simpson, Thomas (ÜbersetzerIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501312397; 9781501312373; 9781501312380
    Other identifier:
    RVK Categories: AP 50300 ; HM 1101
    Subjects: Fetishism in literature; Fetishism in art; Fetishism in art; Fetishism in literature
    Scope: 1 Online-Ressource (xii, 188 p)
    Notes:

    Includes bibliographical references and index
  3. The fetish
    literature, cinema, visual art
    Author: Fusillo, Massimo
    Published: 2017
    Publisher:  Bloomsbury Academic & Professional, New York

    Cover -- Half Title -- Title -- Copyright -- Contents -- Preface: Creativity Is in the Details -- Introduction Object and Fetish: Theory, Intersection, Vision -- 1 The Object of Seduction -- Narration and description: ekphrasis -- Apollonius of... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    Cover -- Half Title -- Title -- Copyright -- Contents -- Preface: Creativity Is in the Details -- Introduction Object and Fetish: Theory, Intersection, Vision -- 1 The Object of Seduction -- Narration and description: ekphrasis -- Apollonius of Rhodes -- The medieval pastorela -- Carlo Goldoni -- Oscar Wilde -- Max Ophüls -- 2 The Memorial Object: Between Wound and Catharsis -- The great era of the European novel (Goethe, Dickens) -- The mental journey of Des Esseintes -- The postcolonial epic (Salman Rushdie) -- Pamuk's Museum -- Installations (Louise Bourgeois, Christian Boltanski) -- Photography and narrative art (Sophie Calle) -- 3 The Magical Object: Animating the Inanimate -- The manikin (Achim von Arnim) -- The portrait (Wilde-Lewin) -- Odradek (Kafka) -- Idols (Gauguin and Picasso) -- Video objects (Tony Oursler) -- 4 Creating Worlds: The Mythopoetic Force of Objects -- Gustave Flaubert -- Elia Kazan -- 5 Theatricalizing the Fetish-Object -- Aestheticism (Huysmans) -- Naturalism (Zola) -- James Joyce -- Camp (Aubrey Beardsley, Joseph von Sternberg) -- Installations (Kienholz, Kabakov) -- The rituality of sadomasochism -- O Fantasma -- 6 The Alterity of Matter -- Modernism (Proust, Woolf, Joyce, Barnes, Mann) -- Pathological collectionism (Franzosini, Szabó, Doctorow) -- Eugenio Montale -- The nouveau roman (Robbe-Grillet) -- Georges Perec -- Marco Ferreri -- Arte povera -- 7 The Object-Icon -- Maximalism (Don DeLillo) -- The autograph (Zadie Smith) -- The porno object (Chuck Palahniuk) -- Pop art -- Commodity sculpture -- Pig Island -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501312380
    Subjects: Fetishism in literature; Fetishism in art; Electronic books
    Scope: 1 online resource (201 pages)