Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 4 of 4.

  1. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Content information
  2. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury, New York ; London ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
  3. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501307294
    Other identifier:
    9781501307294
    RVK Categories: AP 54200
    Edition: First published in paperback
    Subjects: Experimental films; Video installations (Art); Film installations (Art)
    Other subjects: Vertov, Dziga (1896-1954); Snow, Michael (1929-); Farocki, Harun
    Scope: 293 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 281-286

    IntroductionThreshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance.
  4. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2015:3010:
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    tea 750 DE 9708
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    UB Weimar
    Signature:
    Lg VertDzi/7
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    UB Weimar
    Signature:
    Mag Lg VertDzi
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501307294
    Other identifier:
    9781501307294
    RVK Categories: AP 54200
    Edition: First published in paperback
    Subjects: Experimental films; Video installations (Art); Film installations (Art)
    Other subjects: Vertov, Dziga (1896-1954); Snow, Michael (1929-); Farocki, Harun
    Scope: 293 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 281-286

    IntroductionThreshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance.