|
Acknowledgments -- Introduction: The comic sensibility -- The comic grotesque -- Rising from the gutter -- Illustration and the narrative quality of appeal -- The black comic sensibility -- Coda -- Notes -- Works Consulted -- Index. "Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity-how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them-including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens-and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century"--
|
