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  1. Counter-memories in iranian cinema
    Contributor: Wittmann, Matthias (Publisher); Holl, Ute (Publisher)
    Published: [2022]; © 2021
    Publisher:  Edinburgh University Press, Edinburgh

    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Wittmann, Matthias (Publisher); Holl, Ute (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474479776; 9781474479783
    Other identifier:
    RVK Categories: AP 59468
    Subjects: Film, Media & Cultural Studies; PERFORMING ARTS / Film & Video / Direction & Production; Memory in motion pictures; Motion pictures; Motion pictures; Motion pictures-Iran-History-20th century; Kollektives Gedächtnis <Motiv>; Film; Zensur
    Scope: 1 Online-Ressource (xii, 259 Seiten), Illustrationen
  2. Counter-memories in iranian cinema
    Contributor: Wittmann, Matthias (Publisher); Holl, Ute (Publisher)
    Published: [2022]; © 2021
    Publisher:  Edinburgh University Press, Edinburgh

    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Wittmann, Matthias (Publisher); Holl, Ute (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474479776; 9781474479783
    Other identifier:
    RVK Categories: AP 59468
    Subjects: Film, Media & Cultural Studies; PERFORMING ARTS / Film & Video / Direction & Production; Memory in motion pictures; Motion pictures; Motion pictures; Motion pictures-Iran-History-20th century; Kollektives Gedächtnis <Motiv>; Film; Zensur
    Scope: 1 Online-Ressource (xii, 259 Seiten), Illustrationen
  3. Counter-memories in Iranian cinema
    Contributor: Wittmann, Matthias (HerausgeberIn); Holl, Ute (HerausgeberIn)
    Published: 2021
    Publisher:  Edinburgh University Press Ltd, Edinburgh

    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Wittmann, Matthias (HerausgeberIn); Holl, Ute (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474479776; 1474479774; 9781399509114; 9781474479783
    Subjects: Motion pictures; Motion pictures; Memory in motion pictures
    Scope: 1 Online-Ressource (xii, 259 pages)