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  1. British Avant-Garde Fiction of The 1960s
    Published: 2019
    Publisher:  Edinburgh University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history. more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history.

     

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    Source: Union catalogues
    Contributor: Williams, Nonia
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474436212
    Scope: 1 Online-Ressource (281 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  2. British Avant-Garde Fiction of the 1960s
    Published: [2022]; ©2019
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics.... more

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    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial – and crucially overlooked – period of British literary history.Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed – and that the avant-garde fiction produced then rewards our renewed attention to it.Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays – each presents one author in their cultural/critical/historical contexts – by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally

     

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    Source: Union catalogues
    Contributor: Clarke, Chris (MitwirkendeR); Darlington, Joseph (MitwirkendeR); Devaney, Kieran (MitwirkendeR); Ferris, Natalie (MitwirkendeR); Gutkin, Len (MitwirkendeR); Hove, Hannah (MitwirkendeR); Hucklesby, David (MitwirkendeR); Jones, Stephanie (MitwirkendeR); Kilian, Eveline (MitwirkendeR); MacKay, Marina (MitwirkendeR); Mitchell, Kaye (MitwirkendeR); Tew, Philip (MitwirkendeR); Webb, Christopher (MitwirkendeR); White, Glyn (MitwirkendeR); Williams, Nonia (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474436212
    Other identifier:
    RVK Categories: HN 1301
    Subjects: Literary Studies; LITERARY CRITICISM / Feminist
    Scope: 1 Online-Ressource (280 p.), 4 B/W illustrations
  3. British Avant-Garde Fiction of the 1960s
    Published: [2019]; ©2019
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics.... more

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history.Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it.Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays - each presents one author in their cultural/critical/historical contexts - by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally...

     

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    Content information
    Source: Union catalogues
    Contributor: Clarke, Chris (Mitwirkender); Darlington, Joseph (Mitwirkender); Devaney, Kieran (Mitwirkender); Ferris, Natalie (Mitwirkender); Gutkin, Len (Mitwirkender); Hove, Hannah (Mitwirkender); Hucklesby, David (Mitwirkender); Jones, Stephanie (Mitwirkender); Kilian, Eveline (Mitwirkender); MacKay, Marina (Mitwirkender); Tew, Philip (Mitwirkender); Webb, Christopher (Mitwirkender); White, Glyn (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474436212
    Other identifier:
    Scope: 1 Online-Ressource (280 p.), 4 B/W illustrations
  4. British Avant-Garde Fiction of The 1960s
    Published: 2019; ©2019
    Publisher:  Edinburgh University Press, Edinburgh

    This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history. Intro --... more

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    Universitätsbibliothek Greifswald
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    Hochschulbibliothek Friedensau
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    This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history. Intro -- Acknowledgements -- Introduction: 'The avant-garde must not be romanticized. The avant-garde must not be dismissed' -- Chapter1 Muriel Spark and the Possibility of Popular Experiment -- Chapter 2 B. S. Johnson: The Book as Dynamic Object -- Chapter 3 Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- Chapter 4 Brigid Brophy's Aestheticism: The Camp Anti-Novel -- Chapter 5 Alexander Trocchi: Man at Leisure -- Chapter 6 Anna Kavan: Pursuing the 'in-between reality' Hidden by the 'ordinary surface of things' -- Chapter 7 J. G. Ballard: Visuality and the Novels of the Near Future -- Chapter 8 Ann Quin: 'infuriating' Experiments? -- Chapter 9 Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- Chapter 10 Eva Figes: Tracing the Survival of a 'Poetry of the Inarticulate' -- Chapter 11 Christine Brooke-Rose: The Development of Experiment -- Chapter 12 Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall's Experimental Fiction of the 1960s -- Chapter 13 Maureen Duffy: The Politics of Experimental Fiction -- Chapter 14 Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index.

     

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    Source: Union catalogues
    Contributor: Williams, Nonia (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474436212
    Subjects: Electronic books
    Scope: 1 online resource (281 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  5. British Avant-Garde Fiction of the 1960s
    Published: [2022]; © 2019
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics.... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history.Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it.Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays - each presents one author in their cultural/critical/historical contexts - by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474436212
    Other identifier:
    Subjects: Literary Studies; LITERARY CRITICISM / Feminist
    Scope: 1 Online-Ressource (280 pages), 4 B/W illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)

  6. British avant-garde fiction of the 1960s
    Contributor: Mitchell, Kaye (HerausgeberIn); Williams, Nonia (HerausgeberIn)
    Published: 2019
    Publisher:  Edinburgh University Press, Edinburgh

    Chapter 7 J. G. Ballard: Visuality and the Novels of the Near Future -- Chapter 8 Ann Quin: 'infuriating' Experiments? -- Chapter 9 Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns --... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Chapter 7 J. G. Ballard: Visuality and the Novels of the Near Future -- Chapter 8 Ann Quin: 'infuriating' Experiments? -- Chapter 9 Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- Chapter 10 Eva Figes: Tracing the Survival of a 'Poetry of the Inarticulate' -- Chapter 11 Christine Brooke-Rose: The Development of Experiment -- Chapter 12 Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall's Experimental Fiction of the 1960s -- Chapter 13 Maureen Duffy: The Politics of Experimental Fiction Chapter 14 Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index Intro -- Acknowledgements -- Introduction: 'The avant-garde must not be romanticized. The avant-garde must not be dismissed' -- Chapter1 Muriel Spark and the Possibility of Popular Experiment -- Chapter 2 B. S. Johnson: The Book as Dynamic Object -- Chapter 3 Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- Chapter 4 Brigid Brophy's Aestheticism: The Camp Anti-Novel -- Chapter 5 Alexander Trocchi: Man at Leisure -- Chapter 6 Anna Kavan: Pursuing the 'in-between reality' Hidden by the 'ordinary surface of things' This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history

     

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    Source: Union catalogues
    Contributor: Mitchell, Kaye (HerausgeberIn); Williams, Nonia (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1474436218; 9781474436212
    Subjects: Experimental fiction, English; English fiction; English fiction; Experimental fiction, English; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (vi, 272 pages), illustrations
    Notes:

    Includes bibliographical references and index