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  1. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Location:
    Universitätsbibliothek Gießen
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    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    ...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    Series: Other Becketts
    Scope: 1 Online-Ressource (xiii, 253 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  2. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents;... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents; Figures; Acknowledgements; Other Becketts: Series Preface General Editor: S. E. Gontarski, Florida State University; Introduction: The Painted Stage -- Beckett's Visual Aesthetics; 1 Republics of Difference: Yeats, MacGreevy, Beckett; 2 Beckett's Thing: Bram van Velde and the Gaze; 3 'Siege laid again': Arikha's Gaze, Beckett's Painted Stage; Conclusion: The Play's the Thing; Bibliography; Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736; 1474415733; 1474415725; 9781474415729
    Other identifier:
    9781474415729
    Series: Other Becketts
    Subjects: LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Other subjects: Beckett, Samuel 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989); Beckett, Samuel
    Scope: Online Ressource
    Notes:

    Includes bibliographical references (pages 237-245) and index
  3. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Einfluss; Kunst
    Other subjects: Beckett, Samuel / 1906-1989 / Criticism and interpretation; Arikha, Avigdor (1929-2010); Yeats, Jack Butler (1871-1957); Beckett, Samuel (1906-1989); Velde, Bram van (1895-1981)
    Scope: 1 online resource (xiii, 253 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing
  4. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  5. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Location:
    Peace Research Institute Frankfurt, Bibliothek
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    E-Book CUP HSFK
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    Unlimited inter-library loan, copies and loan

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Location:
    Württembergische Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    No loan of volumes, only paper copies will be sent

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)