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Displaying results 1 to 4 of 4.

  1. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Author: Bowler, Rebecca
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Cover; Half Title; Series page; Title; Copyright;... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Cover; Half Title; Series page; Title; Copyright; Contents; Acknowledgements; Introduction; 1 Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford; 'The thing perceived and herself perceiving': The double impression; Realism, impressionism and Henry James; Subjectivity and objectivity; Representing the unrepresentable I: Total experience and the distracted subject in Ford Madox Ford's Parade's End; Representing the unrepresentable II: Masculine blindness and feminine angles of vision in Dorothy Richardson's ... Selection and patterning: The impressionist text as tapestry2 Mystical Visions and Primary Perception: May Sinclair and Dorothy Richardson; Naming the unnameable: Silence, mysticism, philosophy, religion; Silence and Maeterlinck; Mysticism, philosophy and the absolute; 'Breaking through the veil of sense': God and reality; 3 Visual Metaphors: Dorothy Richardson and H.D.; Seeing through representation I: The world as art; Seeing through representation II: The body as art; The composite image: Fidelity through multiplicity; Weaving; Cinematic form. Soporific cinema and the creative collaboration of art and audienceInterlude; 4 Memory, Distance, Perspective; Psychology and the novel-.memoir: May Sinclair and Ford Madox Ford; 'Post-.war Freudianity': Trauma, repression and detachment; 'Disinterested contemplation': Dorothy Richardson's March Moonlight and the 'middles'; Gallery spaces: Memory and metaphor in Richardson and H.D.; Conclusion: 'Proust and Proust and Proust. Forwards, Backwards, Upside Down'; Works Cited; Index.

     
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  2. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Author: Bowler, Rebecca
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary... more

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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     
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  3. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Author: Bowler, Rebecca
    Published: 2016
    Publisher:  Bloomsbury Academic, London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474269056; 9781350063914; 9781474269070; 9781474269063
    RVK Categories: HM 1131 ; HU 1745
    Series: Historicizing modernism
    Subjects: Richardson, Dorothy Miller; Ford, Ford Madox; Sinclair, May; H. D.; Impressionismus; Vision <Motiv>; Erinnerung <Motiv>;
    Scope: vi, 247 Seiten
    Notes:

    Erscheint auch online

    Hier auch unveränderte Nachdrucke: 2018 (= First paperback edition)

    Literaturverzeichnis Seite [233]-243
  4. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Author: Bowler, Rebecca
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     
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