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  1. The image of the soldier in German culture, 1871-1933
    Author: Fox, Paul
    Published: 2018
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Publishing, New York

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signature:
    2019/107
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the demise of the Weimar Republic in 1933. Using 40 carefully chosen images from both high and low culture, Paul Fox discusses complex and interdependent responses in German visual culture to a wide spectrum of operational military experience. These include regional conflict, total war, internal security operations and border skirmishes during the period. The book demonstrates how conservative artists, illustrators, photographers, and sculptors engaged in representing this full spectrum of conflict were preoccupied with the inequalities of battlefield encounters and the consequential quest for moral advantage. They furnished material that exemplified everything positive the ideal German male could hope to be when at war - even when the outcome was defeat. Their construction of an imagined martial masculinity based on an aggressive moral superiority was so deeply rooted that the continuities taken forward eventually provided a basis for a programmatic imagining of how Germany might again exert its political presence as a great military power in Central Europe after 1918. The Image of the Soldier in German Culture, 1871--1933 is an important volume for any historian interested in cultural history, the history of modern Germany or the First World War."--Provided by publisher Representing armed conflict in the industrial age -- Adolph Menzel and the rhetoric of command -- Combat and the politics of border landscapes : soldier-farmers -- Combat and the politics of landscape : trench warfare -- Combat and the politics of landscape : aerial photography, maps, and the cold gaze -- Technology and combat in the Franco-Prussian war -- Technology and combat in the First World War -- Conclusion

     
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    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474226172; 9781474226158; 9781474226165
    Other identifier:
    RVK Categories: NK 7030
    Series: A modern history of politics and violence
    Subjects: Militarism; Soldiers; Soldiers in art; Masculinity in art; World War, 1914-1918; Franco-Prussian War, 1870-1871; Militarism; Masculinity in art; Soldiers; World War, 1914-1918; Franco-Prussian War, 1870-1871; Soldiers in art
    Scope: 1 Online-Ressource (xii, 225 pages), Illustrationen
    Notes:

    Includes bibliographical references and index
  2. The image of the soldier in German culture, 1871-1933
    Author: Fox, Paul
    Published: 2018
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Publishing, New York

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the demise of the Weimar Republic in 1933. Using 40 carefully chosen images from both high and low culture, Paul Fox discusses complex and interdependent responses in German visual culture to a wide spectrum of operational military experience. These include regional conflict, total war, internal security operations and border skirmishes during the period. The book demonstrates how conservative artists, illustrators, photographers, and sculptors engaged in representing this full spectrum of conflict were preoccupied with the inequalities of battlefield encounters and the consequential quest for moral advantage. They furnished material that exemplified everything positive the ideal German male could hope to be when at war - even when the outcome was defeat. Their construction of an imagined martial masculinity based on an aggressive moral superiority was so deeply rooted that the continuities taken forward eventually provided a basis for a programmatic imagining of how Germany might again exert its political presence as a great military power in Central Europe after 1918. The Image of the Soldier in German Culture, 1871--1933 is an important volume for any historian interested in cultural history, the history of modern Germany or the First World War."--Provided by publisher Representing armed conflict in the industrial age -- Adolph Menzel and the rhetoric of command -- Combat and the politics of border landscapes : soldier-farmers -- Combat and the politics of landscape : trench warfare -- Combat and the politics of landscape : aerial photography, maps, and the cold gaze -- Technology and combat in the Franco-Prussian war -- Technology and combat in the First World War -- Conclusion

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474226172; 9781474226158; 9781474226165
    Other identifier:
    RVK Categories: NK 7030
    Series: A modern history of politics and violence
    Subjects: Militarism; Soldiers; Soldiers in art; Masculinity in art; World War, 1914-1918; Franco-Prussian War, 1870-1871; Militarism; Masculinity in art; Soldiers; World War, 1914-1918; Franco-Prussian War, 1870-1871; Soldiers in art
    Scope: 1 Online-Ressource (xii, 225 pages), Illustrationen
    Notes:

    Includes bibliographical references and index