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  1. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury, London [u.a.]

    Universität Marburg, Universitätsbibliothek
    001 HM 3255 M829
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Drama and performance studies
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: XV, 245 Seiten
    Notes:

    Includes bibliographical references and index.

  2. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London ; New York

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Series: Critical companions series
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: xv, 245 Seiten, Diagramm
  3. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London ; New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Series: Critical companions series
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: xv, 245 Seiten, Diagramm
  4. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. ... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 974151
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 13192
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    T 56858
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 644.7 DE 2234
    Unlimited inter-library loan, copies and loan

     

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'."-- "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater;
    Other subjects: Lawrence, D. H (1885-1930)
    Scope: xv, 245 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 229-238

    Machine generated contents note: Foreword by Sir Richard EyreSynopsis -- Introduction. The Significance of Lawrence's Plays: Shifts in Reputation from 1930 to 2014 -- Chapter 1. Writing Lawrence's Plays: Becoming a Dramatist, 1885 to 1910 -- Chapter 2. The Frustration of Staging: Dramatic Struggles, 1911 to 1930 -- Chapter 3. The Drama of Lawrence's Prose Fiction: the Playwright as Novelist -- Chapter 4. Lawrence's Theatrical Development: Realist and Experimentalist Crosscurrents -- Chapter 5. A Director's Perspective: Peter Gill, in Conversation with James Moran -- Chapter 6. A Playwright's Perspective: Stephen Lowe -- Chapter 7. A Screenwriter's Perspective: William Ivory -- Chapter 8. A Postcolonial Perspective: Soudabeh Ananisarab -- Conclusion.

  5. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. ... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 974151
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2017/1162
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 13192
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    T 56858
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2017 A 1031
    Unlimited inter-library loan, copies and loan
    Badische Landesbibliothek
    Unlimited inter-library loan, copies and loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 644.7 DE 2234
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    65/18087
    Unlimited inter-library loan, copies and loan

     

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'."-- "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater; ; Lawrence, D. H.; Theater; Drama;
    Other subjects: Lawrence, D. H (1885-1930)
    Scope: xv, 245 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 229-238

    Machine generated contents note: Foreword by Sir Richard EyreSynopsis -- Introduction. The Significance of Lawrence's Plays: Shifts in Reputation from 1930 to 2014 -- Chapter 1. Writing Lawrence's Plays: Becoming a Dramatist, 1885 to 1910 -- Chapter 2. The Frustration of Staging: Dramatic Struggles, 1911 to 1930 -- Chapter 3. The Drama of Lawrence's Prose Fiction: the Playwright as Novelist -- Chapter 4. Lawrence's Theatrical Development: Realist and Experimentalist Crosscurrents -- Chapter 5. A Director's Perspective: Peter Gill, in Conversation with James Moran -- Chapter 6. A Playwright's Perspective: Stephen Lowe -- Chapter 7. A Screenwriter's Perspective: William Ivory -- Chapter 8. A Postcolonial Perspective: Soudabeh Ananisarab -- Conclusion.

  6. <<The>> theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570406; 9781472570390; 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Edition: First published
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater;
    Scope: XV, 245 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [229]-238