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Displaying results 1 to 7 of 7.

  1. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury, London [u.a.]

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 HM 3255 M829
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Drama and performance studies
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: XV, 245 Seiten
    Notes:

    Includes bibliographical references and index.
  2. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London ; New York

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Series: Critical companions series
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: xv, 245 Seiten, Diagramm
  3. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London ; New York

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Series: Critical companions series
    Subjects: Drama
    Other subjects: Lawrence, D. H. (1885-1930)
    Scope: xv, 245 Seiten, Diagramm
  4. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. ... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 974151
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    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2015 A 13192
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    T 56858
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    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    ang 644.7 DE 2234
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    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'."-- "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater;
    Other subjects: Lawrence, D. H (1885-1930)
    Scope: xv, 245 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 229-238

    Machine generated contents note: Foreword by Sir Richard EyreSynopsis -- Introduction. The Significance of Lawrence's Plays: Shifts in Reputation from 1930 to 2014 -- Chapter 1. Writing Lawrence's Plays: Becoming a Dramatist, 1885 to 1910 -- Chapter 2. The Frustration of Staging: Dramatic Struggles, 1911 to 1930 -- Chapter 3. The Drama of Lawrence's Prose Fiction: the Playwright as Novelist -- Chapter 4. Lawrence's Theatrical Development: Realist and Experimentalist Crosscurrents -- Chapter 5. A Director's Perspective: Peter Gill, in Conversation with James Moran -- Chapter 6. A Playwright's Perspective: Stephen Lowe -- Chapter 7. A Screenwriter's Perspective: William Ivory -- Chapter 8. A Postcolonial Perspective: Soudabeh Ananisarab -- Conclusion.
  5. The theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. ... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 974151
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2017/1162
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    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2015 A 13192
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    T 56858
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    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2017 A 1031
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    Location:
    Badische Landesbibliothek
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    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    ang 644.7 DE 2234
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    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    65/18087
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    "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'."-- "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570383; 9781472570376
    RVK Categories: HM 3255
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater; ; Lawrence, D. H.; Theater; Drama;
    Other subjects: Lawrence, D. H (1885-1930)
    Scope: xv, 245 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 229-238

    Machine generated contents note: Foreword by Sir Richard EyreSynopsis -- Introduction. The Significance of Lawrence's Plays: Shifts in Reputation from 1930 to 2014 -- Chapter 1. Writing Lawrence's Plays: Becoming a Dramatist, 1885 to 1910 -- Chapter 2. The Frustration of Staging: Dramatic Struggles, 1911 to 1930 -- Chapter 3. The Drama of Lawrence's Prose Fiction: the Playwright as Novelist -- Chapter 4. Lawrence's Theatrical Development: Realist and Experimentalist Crosscurrents -- Chapter 5. A Director's Perspective: Peter Gill, in Conversation with James Moran -- Chapter 6. A Playwright's Perspective: Stephen Lowe -- Chapter 7. A Screenwriter's Perspective: William Ivory -- Chapter 8. A Postcolonial Perspective: Soudabeh Ananisarab -- Conclusion.
  6. <<The>> theatre of D.H. Lawrence
    dramatic modernist and theatrical innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Methuen Drama, London

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472570406; 9781472570390; 9781472570376; 9781472570383
    RVK Categories: HM 3255
    Edition: First published
    Series: Critical companions
    Subjects: Lawrence, D. H.; Drama; Theater;
    Scope: XV, 245 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [229]-238
  7. The Theatre of D.H. Lawrence
    Dramatic Modernist and Theatrical Innovator
    Author: Moran, James
    Published: 2015
    Publisher:  Bloomsbury Publishing, London

    This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. ... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook ProQuest
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    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472570376
    Series: Critical Companions
    Critical Companions Ser.
    Subjects: Criticism -- History; Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works; Literature -- History and criticism -- Theory, etc; Literature -- Philosophy -- History; Criticism ; History..; Lawrence, D. H. (David Herbert), 1885-1930 ; Dramatic works..; Literature ; History and criticism ; Theory, etc..; Literature ; Philosophy ; History; Electronic books
    Scope: Online-Ressource (265 p)
    Notes:

    Description based upon print version of record

    Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker

    Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esmé Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht

    The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX