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  1. Mermaids and the production of knowledge in early modern England
    Author: Pedersen, Tara E.
    Published: [2015]; © 2015
    Publisher:  Ashgate Publishing Limited ; Burlington, Vermont : Ashgate Publishing Company, Farnham, Surrey, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472440013; 9781472440020
    Subjects: Geschichte; Women in literature; English drama; English drama; Mermaids in literature; Sex role in literature; Social values in literature; Sex role; Women and literature; Meerweib; Englisch; Drama; Geschlechterrolle <Motiv>
    Scope: 1 online resource (166 pages), illustrations
    Notes:

    Description based on print version record

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" --
  2. Mermaids and the production of knowledge in early modern England
    Author: Pedersen, Tara E.
    Published: 2014
    Publisher:  Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, Farnham, Surrey, England

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472440020; 1472440021; 9781472440013; 1472440013; 9781472440037
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English drama; English drama / Early modern and Elizabethan; Mermaids in literature; Sex role; Sex role in literature; Social values in literature; Women and literature; Women in literature; English drama / 17th century / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Mermaids in literature; Sex role / England / History; Sex role / England / History. Women and literature--England--History; Sex role in literature; Social values in literature; Women and literature / England / History; Women in literature; Geschichte; Array; Englisch; Meerweib; Drama; Geschlechterrolle <Motiv>
    Scope: 1 online resource
    Notes:

    Print version record

    Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" --
  3. Mermaids and the production of knowledge in early modern England
    Publisher:  Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, Farnham, Surrey, England

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not... more

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" --

     
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  4. Mermaids and the Production of Knowledge in Early Modern England.
    Author: Pedersen, Tara E
    Published: 2015; ©2015.
    Publisher:  Routledge, Farnham

    We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not... more

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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook ProQuest
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    No inter-library loan

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates. Cover -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 Identifying Mermaids: Economies of Representation in Dekker and Middleton's The Roaring Girl -- 2 "We shall discover our Selves": Practicing the Mermaid's Law in Margaret Cavendish's The Convent of Pleasure -- 3 Perfect Pictures: The Mermaid's Half-Theater and the Anti-Theatrical Debates in Book II of Spenser's The Faerie Queene -- 4 Reading Like a Mermaid: Antony and Cleopatra's (Un)Mysterious History and the Case of the Disappearing Snake -- Afterword "Drown'd! O, where?": The Mermaid and the Map in Shakespeare's Hamlet -- Works Cited -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472440020
    Subjects: Sex role; Women and literature; English drama; English drama; Sex role in literature; Social values in literature; Mermaids in literature; Women in literature; English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; English drama -- 17th century -- History and criticism; Sex role -- England -- History; English drama ; 17th century ; History and criticism; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Mermaids in literature; Sex role ; England ; History; Sex role in literature; Social values in literature; Women in literature; Electronic books
    Scope: 1 online resource (166 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    IntroductionIdentifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet.