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  1. Coleridge's Chrysopoetics
    Alchemy, Authorship and Imagination
    Author: Toor, Kiran
    Published: 2011
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443827630; 9781443827638
    Subjects: POETRY / English, Irish, Scottish, Welsh; Intellectual property; Plagiarism; Geschichte; Plagiarism; Intellectual property; Poetik
    Other subjects: Coleridge, Samuel Taylor / 1772-1834; Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (266 p.)
    Notes:

    This book is an attempt to assess the creative potential of alchemy as a master trope in Coleridge's conception of authorship and imagination. It begins Other a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of "originality" and "authorship" are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged "self," it is posi..

  2. Coleridge's Chrysopoetics
    Alchemy, Authorship and Imagination
    Published: 2011
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    This book is an attempt to assess the creative potential of alchemy as a master trope in Coleridge's conception of authorship and imagination. It begins Other a challenge to the idea that an autonomous author is at the centre of a literary work. This... more

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    This book is an attempt to assess the creative potential of alchemy as a master trope in Coleridge's conception of authorship and imagination. It begins Other a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of "originality" and "authorship" are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged "self," it is posi

     

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