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  1. Methods of Murder
    Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction
    Author: Past, Elena M.
    Published: [2017]; © 2012
    Publisher:  University of Toronto Press, Toronto

    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man.Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698093
    Other identifier:
    Subjects: DISCOUNT-B.; Crime in literature; Detective and mystery stories, Italian; Italienisch; Kriminalliteratur
    Other subjects: Lombroso, Cesare (1836-1909); Beccaria, Cesare (1735-1793)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  2. Methods of Murder
    Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction
    Author: Past, Elena M.
    Published: [2012]
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many... more

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    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man.Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698093
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  3. Methods of Murder
    Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction
    Author: Past, Elena M.
    Published: [2017]; © 2012
    Publisher:  University of Toronto Press, Toronto

    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man.Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698093
    Other identifier:
    Subjects: DISCOUNT-B.; Crime in literature; Detective and mystery stories, Italian; Italienisch; Kriminalliteratur
    Other subjects: Lombroso, Cesare (1836-1909); Beccaria, Cesare (1735-1793)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  4. Methods of murder
    Beccarian introspection and Lombrosian vivisection in Italian crime fiction
    Author: Past, Elena
    Published: c2012
    Publisher:  University of Toronto Press, Toronto [Ont.]

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442698098; 9781442698093
    Subjects: LITERARY CRITICISM / European / Italian; Detective and mystery stories, Italian; Crime in literature; Kriminalliteratur; Italienisch
    Other subjects: Beccaria, Cesare / marchese di / 1738-1794; Lombroso, Cesare / 1835-1909; Beccaria, Cesare marchese di (1738-1794): Dei delitti e delle pene; Lombroso, Cesare (1835-1909): Uomo delinquente; Beccaria, Cesare (1735-1793); Lombroso, Cesare (1836-1909)
    Scope: 1 Online-Ressource (x, 353 p.)
    Notes:

    Includes bibliographical references and index

    Introduction: The Mysterious Case of Crime Fiction in Italy -- Part One: Beccarian Introspection -- 1 Investigative Introspection: Cesare Beccaria's Disembodied Criminal -- 2 Dark Ends for Leonardo Sciascia's Enlightened Detectives -- 3 Andrea Camilleri's Sicilian Simulacrum -- 4 Violence and the Law in Gianrico Carofiglio's Beccarian Courtroom -- Part Two: Lombrosian Vivisection -- 5 Cesare Lombroso Vivisects the Criminal -- 6 Carlo Emilio Gadda's Bodies of Evidence -- 7 Dario Argento's Aesthetics of Violence -- 8 Carlo Lucarelli's Lombrosian Nightmare -- Epilogue: Crime in the Twenty-First Century

    Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man
  5. Methods of murder
    Beccarian introspection and Lombrosian vivisection in Italian crime fiction
    Published: c2012
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man

     
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  6. Methods of Murder
    Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction
    Author: Past, Elena M.
    Published: 2012
    Publisher:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological... more

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    Universität Mainz, Zentralbibliothek
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    Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698093
    Series: Toronto Italian Studies
    Subjects: Beccaria, Cesare
    Scope: 1 Online-Ressource (364 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  7. Methods of Murder
    Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction
    Author: Past, Elena M.
    Published: 2017; ©2012
    Publisher:  University of Toronto Press, Toronto

    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many... more

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    The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda.Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man.Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698093
    Other identifier:
    Subjects: Crime in literature; Detective and mystery stories, Italian; Crime in literature; Detective and mystery stories, Italian; Crime in literature.; Detective and mystery stories, Italian.; DISCOUNT-B.
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: The Mysterious Case of Crime Fiction in Italy -- -- PART ONE. Beccarian Introspection -- -- 1. Investigative Introspection: Cesare Beccaria’s Disembodied Criminal -- -- 2. Dark Ends for Leonardo Sciascia’s Enlightened Detectives -- -- 3. Andrea Camilleri’s Sicilian Simulacrum -- -- 4. Violence and the Law in Gianrico Carofiglio’s Beccarian Courtroom -- -- PART TWO. Lombrosian Vivisection -- -- 5. Cesare Lombroso Vivisects the Criminal -- -- 6. Carlo Emilio Gadda’s Bodies of Evidence -- -- 7. Dario Argento’s Aesthetics of Violence -- -- 8. Carlo Lucarelli’s Lombrosian Nightmare -- -- Epilogue: Crime in the Twenty-First Century -- -- Notes -- -- References -- -- Index