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  1. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: [2016]; © 1994
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
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    Series: Theory / Culture
    Subjects: Poetics; Poetry, Modern; Lyrik; Moderne; Nonsense-Literatur
    Other subjects: Lear, Edward (1812-1888); Carroll, Lewis (1832-1898)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  2. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: 2016; ©1994
    Publisher:  University of Toronto Press, Toronto

    All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic pursuit. Parsons distinguishes between nonsense language and Nonsense, the genre. Her major chapters work towards a vision of nonsense language as palimpsestic - the overlaying of several ways of making meaning onto a verbal sense system, and the consequent disruption of that system. This reading of nonsense is itself an intersection, bringing together historical and contemporary criticism of literary Nonsense and a wide range of poetic and literary theories. Using Carroll and Lear as examples of Nonsense, Parsons provides a survey of existing Nonsense criticism in English, and then extends and elaborates nonsense in theoretical directions set by Gilles Deleuze and Julia Kristeva among others, and by the poetics of such writers as Charles Olson, Charles Bernstein, Ron Silliman, Steve McCaffery, Louis Zukofsky and Daphne Marlatt.Following each chapter is a close reading of work by writers as varied as Rudyard Kipling, Colleen Thibaudeau, Adrienne Rich, and Lyn Hejinian. These readings provide practical applications of nonsense theory and establish the interdependence between theory and practice. Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    Other identifier:
    Series: Theory / Culture
    Subjects: Poetry, Modern; Poetics; Poetry, Modern; Poetics; Poetics.; Poetry, Modern.
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publishers Web site, viewed Jan. 06, 2016)

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Preface -- -- Part One -- -- 'Loppleton Leery' -- -- 1. Runcible Relations: A Taxonomy of Nonsense Criticism and Theory -- -- 'Nobody' -- -- Part Two -- -- 2. Touch Monkeys': A Semanalytic Approach to Nonsense -- -- 'Hunting Song of the 'Bandar-Logician' -- -- 3. There was an Old Man with a nose': Nonsense and the Body -- -- 'Becoming Visceral' -- -- 4. "as birds as well as words': Nonsense and Sound -- -- 'O jongleurs, O belly laughs' -- -- 5. 'A Silly Corpse?': The 'L=A=N=G=U=A=G=E' Poets and the Nonsense of Reference -- -- 'What then is a window' -- -- Notes -- -- Bibliography -- -- Index
  3. Touch monkeys
    nonsense strategies for reading twentieth-century poetry
    Author: Parsons, Marnie
    Published: 1994
    Publisher:  University of Toronto Press, Toronto, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702; 1442682701
    Series: Theory/culture
    Scope: 1 Online-Ressource (xx, 262 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 237-250) and index
  4. Touch monkeys
    nonsense strategies for reading twentieth-century poetry
    Author: Parsons, Marnie
    Published: 1994; © 1994
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    RVK Categories: HG 145
    Series: Theory / Culture
    Subjects: American poetry; Canadian poetry; Nonsense verses, English; Logic in literature; Poetics; Lyrik; Moderne; Nonsense-Literatur
    Other subjects: Lear, Edward (1812-1888); Carroll, Lewis (1832-1898)
    Scope: 1 online resource (283 pages), illustrations
    Notes:

    Description based on print version record
  5. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: [2016]; © 1994
    Publisher:  University of Toronto Press, Toronto

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    Other identifier:
    Series: Theory / Culture
    Subjects: Poetics; Poetry, Modern; Lyrik; Moderne; Nonsense-Literatur
    Other subjects: Lear, Edward (1812-1888); Carroll, Lewis (1832-1898)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic pursuit. Parsons distinguishes between nonsense language and Nonsense, the genre. Her major chapters work towards a vision of nonsense language as palimpsestic - the overlaying of several ways of making meaning onto a verbal sense system, and the consequent disruption of that system. This reading of nonsense is itself an intersection, bringing together historical and contemporary criticism of literary Nonsense and a wide range of poetic and literary theories. Using Carroll and Lear as examples of Nonsense, Parsons provides a survey of existing Nonsense criticism in English, and then extends and elaborates nonsense in theoretical directions set by Gilles Deleuze and Julia Kristeva among others, and by the poetics of such writers as Charles Olson, Charles Bernstein, Ron Silliman, Steve McCaffery, Louis Zukofsky and Daphne Marlatt.Following each chapter is a close reading of work by writers as varied as Rudyard Kipling, Colleen Thibaudeau, Adrienne Rich, and Lyn Hejinian. These readings provide practical applications of nonsense theory and establish the interdependence between theory and practice. Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre
  6. Touch monkeys
    nonsense strategies for reading twentieth-century poetry
    Author: Parsons, Marnie
    Published: c1994
    Publisher:  University of Toronto Press, Toronto, Ont.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802029833; 1442682701; 9780802029836; 9781442682702
    Series: Theory/culture series
    Subjects: LITERARY CRITICISM / Semiotics & Theory; Poetry, Modern; Poetics; Moderne; Nonsense-Literatur; Lyrik
    Other subjects: Lear, Edward (1812-1888); Carroll, Lewis (1832-1898)
    Scope: 1 Online-Ressource (xx, 262 p.)
    Notes:

    Includes bibliographical references (p. [237]-250) and index
  7. Touch monkeys
    nonsense strategies for reading twentieth-century poetry
    Published: c1994
    Publisher:  University of Toronto Press, Toronto, Ont

    ""Contents""; ""Acknowledgments""; ""Preface""; ""PART ONE""; ""'Loppleton Leery'""; ""ONE: Runcible Relations: A Taxonomy of Nonsense Criticism and Theory""; ""'Nobody'""; ""PART TWO""; ""TWO: 'Touch Monkeys': A Semanalytic Approach to Nonsense"";... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    ""Contents""; ""Acknowledgments""; ""Preface""; ""PART ONE""; ""'Loppleton Leery'""; ""ONE: Runcible Relations: A Taxonomy of Nonsense Criticism and Theory""; ""'Nobody'""; ""PART TWO""; ""TWO: 'Touch Monkeys': A Semanalytic Approach to Nonsense""; ""'Hunting Song of the Bandar-Logician'""; ""THREE: 'There was an Old Man with a nose': Nonsense and the Body""; ""'Becoming Visceral'""; ""FOUR: 'as birds as well as words': Nonsense and Sound""; ""'O jongleurs, O belly laughs'""; ""FIVE: 'A Silly Corpse?': The 'L=A=N=G=U=A=G=E' Poets and the Nonsense of Reference""; ""'What then is a window'"" ""Notes""""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702; 1442682701
    Series: Theory
    Theory/culture
    Subjects: Poetry, Modern; Poetics; Poetry, Modern; LITERARY CRITICISM ; Semiotics & Theory; Poetics; Criticism, interpretation, etc
    Scope: Online Ressource (xx, 262 p.), ill.
    Notes:

    Includes bibliographical references (p. [237]-250) and index. - Description based on print version record
  8. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: 1994
    Publisher:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre. more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    Series: Theory / Culture
    Scope: 1 Online-Ressource (283 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  9. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: [1994]
    Publisher:  University of Toronto Press, Toronto ; [Walter de Gruyter GmbH], [Berlin]

    All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic pursuit. Parsons distinguishes between nonsense language and Nonsense, the genre. Her major chapters work towards a vision of nonsense language as palimpsestic - the overlaying of several ways of making meaning onto a verbal sense system, and the consequent disruption of that system. This reading of nonsense is itself an intersection, bringing together historical and contemporary criticism of literary Nonsense and a wide range of poetic and literary theories. Using Carroll and Lear as examples of Nonsense, Parsons provides a survey of existing Nonsense criticism in English, and then extends and elaborates nonsense in theoretical directions set by Gilles Deleuze and Julia Kristeva among others, and by the poetics of such writers as Charles Olson, Charles Bernstein, Ron Silliman, Steve McCaffery, Louis Zukofsky and Daphne Marlatt.Following each chapter is a close reading of work by writers as varied as Rudyard Kipling, Colleen Thibaudeau, Adrienne Rich, and Lyn Hejinian. These readings provide practical applications of nonsense theory and establish the interdependence between theory and practice. Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    Other identifier:
    Series: Theory / Culture
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  10. Touch Monkeys
    Nonsense Strategies for Reading Twentieth-Century Poetry
    Author: Parsons, Marnie
    Published: 1994; ©1994.
    Publisher:  University of Toronto Press, Toronto

    Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre. Intro -- Contents -- Acknowledgments -- Preface -- PART ONE -- 'Loppleton Leery' -- ONE: Runcible Relations: A... more

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    Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre. Intro -- Contents -- Acknowledgments -- Preface -- PART ONE -- 'Loppleton Leery' -- ONE: Runcible Relations: A Taxonomy of Nonsense Criticism and Theory -- 'Nobody' -- PART TWO -- TWO: 'Touch Monkeys': A Semanalytic Approach to Nonsense -- 'Hunting Song of the Bandar-Logician' -- THREE: 'There was an Old Man with a nose': Nonsense and the Body -- 'Becoming Visceral' -- FOUR: 'as birds as well as words': Nonsense and Sound -- 'O jongleurs, O belly laughs' -- FIVE: 'A Silly Corpse?': The 'L=A=N=G=U=A=G=E' Poets and the Nonsense of Reference -- 'What then is a window' -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442682702
    Series: Theory / Culture
    Subjects: Electronic books; Canadian poetry ; 20th century ; History and criticism ; Theory, etc; Nonsense verses, English ; History and criticism ; Theory, etc; Logic in literature; Poetics ; History ; 20th century; North America ; Intellectual life ; 20th century; American poetry ; 20th century ; History and criticism ; Theory, etc
    Scope: 1 online resource (283 pages)
    Notes:

    Description based on publisher supplied metadata and other sources