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Displaying results 1 to 3 of 3.

  1. Screening Gender, Framing Genre
    Canadian Literature into Film
    Author: Dickinson, Peter
    Published: [2016]; © 2007
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442679658
    Other identifier:
    Subjects: Film; Geschichte; Canadian fiction; Homosexuality in motion pictures; Motion pictures; Sex in motion pictures; Homosexualität <Motiv>; Verfilmung
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  2. Screening gender, framing genre
    Canadian literature into film
    Author: Dickinson, Peter
    Published: 2007
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802044751; 1442679654; 9780802044754; 9781442679658
    Subjects: Roman canadien / Adaptations cinématographiques et télévisées; Sexualité au cinéma; Homosexualité au cinéma; Cinéma / Canada / Histoire; Roman canadien / 20e siècle / Histoire et critique; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Adaptations cinématographiques / Canada; Sexualité / Au cinéma; Cinéma / Canada / Histoire; Canadian fiction; Homosexuality; Motion pictures; Sex; Film; Geschichte; Canadian fiction; Sex in motion pictures; Homosexuality in motion pictures; Motion pictures; Canadian fiction; Homosexualität <Motiv>; Verfilmung
    Scope: 1 Online-Ressource (xii, 280 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Sex maidens and Yankee skunks: a field guide to reading 'Canadian' movies -- - Feminism, fidelity, and the female gothic: the uncanny art of adaptation in Kamouraska, Surfacing, and Le sourd dans la ville -- - Images of Indigene: history, visibility, and ethnographic romance in four adaptations from the 1990s -- - Critically queenie, or, trans-figuring the prison-house of gender: Fortune and Men's Eyes and after -- - Space, time, auteurity, and the queer male body: policing the image in the film adaptations of Robert Lepage -- - Ghost in and out of the machine: sighting/citing lesbianism in Susan Swan't The Wives of Bath and Léa Pool's Lost and Delirious -- - Adapating masculinity: Michael Tuner, Bruce McDonald, and others

    "In Screening Gender, Framing Genre, Peter Dickinson examines the history and theory of films adapted from Canadian literature through the lens of gender studies. Unique in its discussion of a range of different adaptations, including films based on novels, plays, poetry, and Native orature, this study offers new and often provocative readings of works by such well-known Canadian authors as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatije, and by such important Canadian filmmakers as Mireille Dansereau, Claude Jutra, Robert LePage, and Bruce McDonald."--Jacket
  3. Screening Gender, Framing Genre
    Canadian Literature into Film
    Author: Dickinson, Peter
    Published: [2016]; © 2007
    Publisher:  University of Toronto Press, Toronto

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442679658
    Other identifier:
    Subjects: Film; Geschichte; Canadian fiction; Homosexuality in motion pictures; Motion pictures; Sex in motion pictures; Homosexualität <Motiv>; Verfilmung
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    Audiences often measure the success of film adaptations by how faithfully they adhere to their original source material. However, fidelity criticism tells only part of the story of adaptation. For example, the changes made to literary sources in the course of creating their film treatments are often fascinating in terms of what they reveal about the different processes of genre recognition and gender identification in both media, as well as the social, cultural, and historical contexts governing their production and reception.In Screening Gender, Framing Genre, Peter Dickinson examines the history and theory of films adapted from Canadian literature through the lens of gender studies. Unique in its discussion of a range of different adaptations, including films based on novels, plays, poetry, and Native orature, this study offers new and often provocative readings of works by such well-known Canadian authors as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatje, and by such important Canadian filmmakers as Mireille Dansereau, Claude Jutra, Robert LePage, and Bruce McDonald. Drawing with equal facility from film and gender theory, and revealing a thorough knowledge of both literary and cinematic history, Dickinson has written a lively and engaging study that is sure to resonate with readers curious about the intersection of Canadian cultural production and broader issues of gender and national identity formation