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  1. Kant's Intuitionism
    A Commentary on the Transcendental Aesthetic
    Author: Falkenstein, Lorne
    Published: [2018]; © 2004
    Publisher:  University of Toronto Press, Toronto

    Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosophical world. In Kant's Intuitionism – the most detailed study of Kant's views on the opening sections of the Critique... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosophical world. In Kant's Intuitionism – the most detailed study of Kant's views on the opening sections of the Critique since Hans Vaihinger's Commentar zur Kants Kritik der reinen Vernunft more than a century ago – Lorne Falkenstein focuses on one aspect of Kant's Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time.The question of how much structure sensory input has of itself and how much we give it through processing is a major problem not only in philosophy, but in cognitive science in general. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, but Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses. Kant's Intuitionism examines Kant's account of the human cognitive faculties, his views on space, and his reasons for denying that we have knowledge of things as they are in themselves. It is key to understanding the thinking of the philosopher and revitalizes the debate about the implications of the Transcendental Aesthetic

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442676480
    Other identifier:
    Series: Toronto Studies in Philosophy
    Subjects: Transzendentale Ästhetik
    Other subjects: Kant, Immanuel (1724-1804)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  2. Kant's Intuitionism
    A Commentary on the Transcendental Aesthetic
    Author: Falkenstein, Lorne
    Published: [2018]; © 2004
    Publisher:  University of Toronto Press, Toronto

    Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosophical world. In Kant's Intuitionism – the most detailed study of Kant's views on the opening sections of the Critique... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Location:
    Hochschule Coburg, Zentralbibliothek
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    Location:
    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosophical world. In Kant's Intuitionism – the most detailed study of Kant's views on the opening sections of the Critique since Hans Vaihinger's Commentar zur Kants Kritik der reinen Vernunft more than a century ago – Lorne Falkenstein focuses on one aspect of Kant's Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time.The question of how much structure sensory input has of itself and how much we give it through processing is a major problem not only in philosophy, but in cognitive science in general. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, but Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses. Kant's Intuitionism examines Kant's account of the human cognitive faculties, his views on space, and his reasons for denying that we have knowledge of things as they are in themselves. It is key to understanding the thinking of the philosopher and revitalizes the debate about the implications of the Transcendental Aesthetic

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442676480
    Other identifier:
    Series: Toronto Studies in Philosophy
    Subjects: Transzendentale Ästhetik
    Other subjects: Kant, Immanuel (1724-1804)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  3. Kant's intuitionism
    a commentary on the transcendental aesthetic
    Author: Falkenstein, Lorne
    Published: c1995
    Publisher:  University of Toronto Press, Toronto, Ont.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282023462; 1442676485; 9780802037749; 9781282023468; 9781442676480
    RVK Categories: CF 5015
    Series: Toronto studies in philosophy
    Subjects: Intuition; Théorie de la connaissance; Réalité; Transcendantalisme; Esthétique; Jugement (Esthétique); Kritik der reinen Vernunft (Kant); Esthetica; PHILOSOPHY / Epistemology; PHILOSOPHY / Aesthetics; Kritik der reinen Vernunft (Kant, Immanuel); Aesthetics; Intuition; Transcendentalism; Ästhetik; Intuition; Transcendentalism; Aesthetics; Transzendentale Ästhetik
    Other subjects: Kant, Immanuel / 1724-1804 / Kritik der reinen Vernunft; Kant, Immanuel / 1724-1804; Kant, Immanuel (1724-1804): Kritik der reinen Vernunft; Kant, Immanuel (1724-1804)
    Scope: 1 Online-Ressource
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and indexes

    "Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosop Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time." "It is a major problem not only in philosophy, but in cognitive science in general, to decide how much structure sensory input has of itself and how much we give it through processing. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, stressing that sensations have no structure of their own and that, for the objects of our experience to have any spatial or temporal structure at all, we must impose a structure through synthetic processes of the imagination or understanding. Rehabilitating an interpretation of Kant outlined in the nineteenth century, Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses." "Falkenstein begins with a careful critique of both historical and contemporary approaches to this problem and goes on the develop a cogent and stimulating argument for his position. The dialectic that results advances the discussion into controversial new realms, revitalizing the debate about the implications of Kant's Transcendental Aesthetic." --Book Jacket