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  1. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S.
    Published: [2016]; © 1999
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Baroque literature; Italian literature; Das Barocke
    Other subjects: Gadda, Carlo Emilio (1893-1973)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  2. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S.
    Published: [2016]; ©1999
    Publisher:  University of Toronto Press, Toronto

    In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Italian literature; Baroque literature; Italian literature; Baroque literature; Baroque literature.; Italian literature.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Preface -- -- 1. Gadda and the Baroque -- -- 2. Baroque Solitude: Disillusion and the Ruins of War -- -- 3. Creative Bodies: Theory and Practice of the Grotesque -- -- 4. A Baroque Ethics -- -- 5. A Baroque Mystery -- -- Appendix. Gadda and Fascism -- -- Notes -- -- References -- -- Index
  3. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S.
    Published: 1999
    Publisher:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    This groundbreaking study of Gadda's narrative form identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    This groundbreaking study of Gadda's narrative form identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Series: Toronto Italian Studies
    Scope: 1 Online-Ressource (162 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  4. Creative entanglements
    Gadda and the baroque
    Author: Dombroski, Robert S.
    Published: 1999
    Publisher:  University of Toronto Press, Toronto [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588; 1442673583
    Series: Toronto Italian studies
    Scope: 1 Online-Ressource (x, 151 pages)
    Notes:

    Includes bibliographical references (pages 145-148) and index
  5. Creative entanglements
    Gadda and the baroque
    Author: Dombroski, Robert S.
    Published: 1999; © 1999
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    RVK Categories: IV 27681
    Subjects: Baroque literature; Italian literature; Das Barocke
    Other subjects: Gadda, Carlo Emilio (1893-1973); Gadda, Carlo Emilio (1893-1973)
    Scope: 1 online resource (152 pages)
    Notes:

    Description based on print version record
  6. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S.
    Published: [2016]; © 1999
    Publisher:  University of Toronto Press, Toronto

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Baroque literature; Italian literature; Das Barocke
    Other subjects: Gadda, Carlo Emilio (1893-1973)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge
  7. Creative entanglements
    Gadda and the baroque
    Author: Dombroski, Robert S.
    Published: c1999
    Publisher:  University of Toronto Press, Toronto

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802044905; 1442673583; 9780802044907; 9781442673588
    Series: Toronto Italian studies
    Subjects: ((Das)) Barocke; LITERARY CRITICISM / European / Italian; Baroque literature; Italian literature; Das Barocke
    Other subjects: Gadda, Carlo Emilio / 1893-1973 / Critique et interprétation; Gadda, Carlo Emilio; Gadda, Carlo Emilio / 1893-1973; Gadda, Carlo Emilio; Gadda, Carlo Emilio (1893-1973); Gadda, Carlo Emilio (1893-1973)
    Scope: 1 Online-Ressource (x, 151 p.)
    Notes:

    Includes bibliographical references (p. [145]-148) and index

    1. Gadda and the Baroque -- 2. Barque solitude : disillusion and the ruins of war -- 3. Creative bodies : theory and practice of the grotesque -- 4. A Baroque ethics -- 5. A Baroque mystery
  8. Creative entanglements
    Gadda and the baroque
    Published: c1999
    Publisher:  University of Toronto Press, Toronto

    1. Gadda and the Baroque -- 2. Barque solitude : disillusion and the ruins of war -- 3. Creative bodies : theory and practice of the grotesque -- 4. A Baroque ethics -- 5. A Baroque mystery. more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    1. Gadda and the Baroque -- 2. Barque solitude : disillusion and the ruins of war -- 3. Creative bodies : theory and practice of the grotesque -- 4. A Baroque ethics -- 5. A Baroque mystery.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588; 1442673583
    Series: Toronto Italian studies
    Subjects: Baroque literature; Italian literature; Italian literature; Baroque literature; LITERARY CRITICISM ; European ; Italian; Das Barocke; Criticism, interpretation, etc; Livres numériques
    Other subjects: Gadda, Carlo Emilio 1893-1973; Gadda, Carlo Emilio 1893-1973; Gadda, Carlo Emilio (1893-1973); Gadda, Carlo Emilio; Gadda, Carlo Emilio
    Scope: Online Ressource (x, 151 p.)
    Notes:

    Includes bibliographical references (p. [145]-148) and index
  9. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S.
    Published: [1999]
    Publisher:  University of Toronto Press, Toronto ; [Walter de Gruyter GmbH], [Berlin]

    In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Other identifier:
    Series: Toronto Italian Studies
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  10. Creative Entanglements
    Gadda and the Baroque
    Author: Dombroski, Robert S
    Published: 1999; ©1999.
    Publisher:  University of Toronto Press, Toronto

    This groundbreaking study of Gadda's narrative form identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    This groundbreaking study of Gadda's narrative form identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Intro -- CONTENTS -- PREFACE -- 1 Gadda and the Baroque -- 2 Baroque Solitude: Disillusion and the Ruins of War -- 3 Creative Bodies: Theory and Practice of the Grotesque -- 4 A Baroque Ethics -- 5 A Baroque Mystery -- APPENDIX: Gadda and Fascism -- NOTES -- REFERENCES -- INDEX -- A -- B -- C -- D -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- Q -- R -- S -- T -- V -- W.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442673588
    Series: Toronto Italian Studies
    Subjects: Italian literature - 17th century - Influence; Electronic books; Baroque literature ; Influence; Italian literature ; 17th century; Gadda, Carlo Emilio ; 1893-1973 ; Criticism and interpretation
    Scope: 1 online resource (162 pages)
    Notes:

    Description based on publisher supplied metadata and other sources