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  1. Art and the German Bourgeoisie
    Alfred Lichtwark and Modern Painting in Hamburg, 1886-1914
    Author: Kay, Carolyn
    Published: [2016]; © 2002
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442671027
    Other identifier:
    Subjects: Geschichte; Art and society; Painting, German; Painting, German; Ästhetik; Bürgertum; Malerei
    Other subjects: Lichtwark, Alfred (1852-1914); Petersen, Carl (1868-1933); Liebermann, Max (1847-1935)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

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  2. Art and the German bourgeoisie
    Alfred Lichtwark and modern painting in Hamburg, 1886-1914
    Published: 2002; © 2002
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442671027
    RVK Categories: LH 63400
    Subjects: Painting, German; Painting, German; Art patronage; Art and the middle class; Ästhetik; Bürgertum; Malerei
    Other subjects: Lichtwark, Alfred (1852-1914); Lichtwark, Alfred (1852-1914); Petersen, Carl (1868-1933); Liebermann, Max (1847-1935)
    Scope: 1 online resource (197 pages), illustrations
    Notes:

    Description based on print version record

  3. Art and the German bourgeoisie
    Alfred Lichtwark and modern painting in Hamburg, 1886-1914
    Published: 2002
    Publisher:  University of Toronto Press, Toronto, Ont.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  4. Art and the German Bourgeoisie
    Alfred Lichtwark and Modern Painting in Hamburg, 1886-1914
    Author: Kay, Carolyn
    Published: [2016]; © 2002
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442671027
    Other identifier:
    Subjects: Geschichte; Art and society; Painting, German; Painting, German; Ästhetik; Bürgertum; Malerei
    Other subjects: Lichtwark, Alfred (1852-1914); Petersen, Carl (1868-1933); Liebermann, Max (1847-1935)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    In this new study of art in fin-de-siècle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg.Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture