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  1. Novel Cleopatras
    Romance Historiography and the Dido Tradition in English Fiction, 1688–1785
    Author: Horejsi, Nicole
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic

     
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  2. Novel Cleopatras
    Romance Historiography and the Dido Tradition in English Fiction, 1688–1785
    Author: Horejsi, Nicole
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the... more

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    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic

     
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  3. Novel Cleopatras
    romance historiography and the Dido tradition in English fiction, 1688-1785
    Author: Horejsi, Nicole
    Published: [2019]
    Publisher:  University of Toronto Press, Toronto

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the... more

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    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- PART 1. Demythologizing Dido: Epic and Romance -- 1. “Pulcherrima Dido”: Jane Barker and the Epic of Exile -- 2. “What Is There of a Woman Worth Relating?” Revising the Aeneid in Henry Fielding’s Amelia -- PART 2. Mythologizing Cleopatra: Romance Historiography and the Queens of Egypt -- 3. “A Pattern to Ensuing Ages”: Reinventing Historical Practice in Charlotte Lennox’s Female Quixote -- 4. Performing Augustan History in Sarah Fielding’s Lives of Cleopatra and Octavia -- 5. Whose “Wild and Extravagant Stories”? Clara Reeve’s The Progress of Romance and The History of Charoba, Queen of Ægypt -- Epilogue -- Notes -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667396
    Other identifier:
    RVK Categories: HK 1091
    Subjects: Mythology in literature; History in literature; English fiction; English fiction; LITERARY CRITICISM / Modern / 18th Century
    Scope: 1 Online-Ressource (xiii, 276 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  4. Novel Cleopatras
    Romance Historiography and the Dido Tradition in English Fiction, 1688-1785
    Author: Horejsi, Nicole
    Published: 2019; ©2019
    Publisher:  University of Toronto Press, Toronto

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel's origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Cover -- Title -- Contents -- List of... more

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    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel's origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Cover -- Title -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part 1: Demythologizing Dido: Epic and Romance -- 1 "Pulcherrima Dido": Jane Barker and the Epic of Exile -- 2 "What Is There of a Woman Worth Relating?" Revising the Aeneid in Henry Fielding's Amelia -- Part 2: Mythologizing Cleopatra: Romance Historiography and the Queens of Egypt -- 3 "A Pattern to Ensuing Ages": Reinventing Historical Practice in Charlotte Lennox's Female Quixote -- 4 Performing Augustan History in Sarah Fielding's Lives of Cleopatra and Octavia -- 5 Whose "Wild and Extravagant Stories"? Clara Reeve's The Progress of Romance and The History of Charoba, Queen of Ægypt -- Epilogue -- Notes -- Bibliography -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667396
    Subjects: Electronic books; English fiction ; 18th century ; History and criticism; English fiction ; Women authors ; History and criticism; Cleopatra ; Queen of Egypt ; -30 B.C ; In literature
    Scope: 1 online resource (291 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  5. Novel Cleopatras
    romance historiography and the Dido tradition in English fiction, 1688-1785
    Author: Horejsi, Nicole
    Published: [2019]
    Publisher:  University of Toronto Press, Toronto

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the... more

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    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- PART 1. Demythologizing Dido: Epic and Romance -- 1. “Pulcherrima Dido”: Jane Barker and the Epic of Exile -- 2. “What Is There of a Woman Worth Relating?” Revising the Aeneid in Henry Fielding’s Amelia -- PART 2. Mythologizing Cleopatra: Romance Historiography and the Queens of Egypt -- 3. “A Pattern to Ensuing Ages”: Reinventing Historical Practice in Charlotte Lennox’s Female Quixote -- 4. Performing Augustan History in Sarah Fielding’s Lives of Cleopatra and Octavia -- 5. Whose “Wild and Extravagant Stories”? Clara Reeve’s The Progress of Romance and The History of Charoba, Queen of Ægypt -- Epilogue -- Notes -- Bibliography -- Index

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667396
    Other identifier:
    RVK Categories: HK 1091
    Subjects: Mythology in literature; History in literature; English fiction; English fiction; LITERARY CRITICISM / Modern / 18th Century
    Scope: 1 Online-Ressource (xiii, 276 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Novel Cleopatras
    Romance Historiography and the Dido Tradition in English Fiction, 1688–1785
    Author: Horejsi, Nicole
    Published: [2019]
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the... more

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    Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667396
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)