Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 6 of 6.

  1. The metaphor of celebrity
    Canadian poetry and the public, 1955 - 1980
    Author: Deshaye, Joel
    Published: 2013
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton,... more

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    angk780.d456
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781442646612; 1442646616
    Subjects: Canadian poetry; Poets, Canadian; Canadian poetry; Authors and readers
    Scope: 264 S., 24 cm
    Notes:

    Introduction -- The metaphor of celebrity -- The era of celebrity in Canadian poetry -- Becoming "too public" in the poetry of Irving Layton -- Fighting words : Layton on radio and television -- Recognition, anonymity, and Leonard Cohen's stranger music -- "I like that line because it's got my name in it" : masochistic stardom in Cohen's poetry -- Celebrity, sexuality, and the uncanny in Michael Ondaatje's The collected works of Billy the Kid -- "A razor in the body" : Ondaatje's Rat jelly and Secular love -- The magician and his public in the poetry of Gwendolyn MacEwen -- Passing and celebrity in MacEwen's The T.E. Lawrence pomes -- Conclusion: public, nation, now -- Acknowledgments -- Appendix : four tables -- Notes -- References -- Index

    Includes bibliographical references and index
  2. The metaphor of celebrity
    Canadian poetry and the public, 1955 - 1980
    Author: Deshaye, Joel
    Published: 2013
    Publisher:  Univ. of Toronto Press, Toronto

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
  3. <<The>> metaphor of celebrity
    Canadian poetry and the public, 1955 - 1980
    Author: Deshaye, Joel
    Published: 2013
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton,... more

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442646612; 1442646616
    Subjects: Canadian poetry; Poets, Canadian; Canadian poetry; Authors and readers
    Scope: 264 S., 24 cm
    Notes:

    Introduction -- The metaphor of celebrity -- The era of celebrity in Canadian poetry -- Becoming "too public" in the poetry of Irving Layton -- Fighting words : Layton on radio and television -- Recognition, anonymity, and Leonard Cohen's stranger music -- "I like that line because it's got my name in it" : masochistic stardom in Cohen's poetry -- Celebrity, sexuality, and the uncanny in Michael Ondaatje's The collected works of Billy the Kid -- "A razor in the body" : Ondaatje's Rat jelly and Secular love -- The magician and his public in the poetry of Gwendolyn MacEwen -- Passing and celebrity in MacEwen's The T.E. Lawrence pomes -- Conclusion: public, nation, now -- Acknowledgments -- Appendix : four tables -- Notes -- References -- Index

    Includes bibliographical references and index
  4. The metaphor of celebrity
    Canadian poetry and the public, 1955 - 1980
    Author: Deshaye, Joel
    Published: 2013
    Publisher:  University of Toronto Press, Toronto [u.a.]

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton,... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1442646616; 9781442646612
    RVK Categories: HQ 4051
    Subjects: Canadian poetry; Poets, Canadian; Canadian poetry; Authors and readers
    Scope: 264 S
    Notes:

    Literaturverz. S. [241] - 256 und Index

    IntroductionThe metaphor of celebrity -- The era of celebrity in Canadian poetry -- Becoming "too public" in the poetry of Irving Layton -- Fighting words : Layton on radio and television -- Recognition, anonymity, and Leonard Cohen's stranger music -- "I like that line because it's got my name in it" : masochistic stardom in Cohen's poetry -- Celebrity, sexuality, and the uncanny in Michael Ondaatje's The collected works of Billy the Kid -- "A razor in the body" : Ondaatje's Rat jelly and Secular love -- The magician and his public in the poetry of Gwendolyn MacEwen -- Passing and celebrity in MacEwen's The T.E. Lawrence pomes -- Conclusion: public, nation, now -- Acknowledgments -- Appendix : four tables -- Notes -- References -- Index.
  5. The metaphor of celebrity
    Canadian poetry and the public, 1955-1980
    Author: Deshaye, Joel
    Published: [2013]; © 2013
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442646616; 1442666161; 9781442646612; 9781442666160
    Subjects: Poésie canadienne / 20e siècle / Histoire et critique; Poètes canadiens / Relations publiques; Poésie canadienne / 20e siècle / Aspect social; Écrivains et lecteurs / Canada / Histoire / 20e siècle; LITERARY CRITICISM / Poetry; LITERARY CRITICISM / Canadian; Geschichte; Gesellschaft; Canadian poetry; Poets, Canadian; Canadian poetry; Authors and readers; Bekanntheit; Ruhm <Motiv>; Berühmte Persönlichkeit; Lyriker
    Other subjects: Cohen, Leonard (1934-2016); Ondaatje, Michael (1943-); MacEwen, Gwendolyn (1941-1987); Layton, Irving (1912-2006)
    Scope: 1 online resource (264 pages)
    Notes:

    Print version record

    Introduction -- The metaphor of celebrity -- The era of celebrity in Canadian poetry -- Becoming "too public" in the poetry of Irving Layton -- Fighting words : Layton on radio and television -- Recognition, anonymity, and Leonard Cohen's stranger music -- "I like that line because it's got my name in it" : masochistic stardom in Cohen's poetry -- Celebrity, sexuality, and the uncanny in Michael Ondaatje's The collected works of Billy the Kid -- "A razor in the body" : Ondaatje's Rat jelly and Secular love -- The magician and his public in the poetry of Gwendolyn MacEwen -- Passing and celebrity in MacEwen's The T.E. Lawrence pomes -- Conclusion: public, nation, now -- Acknowledgments -- Appendix : four tables -- Notes -- References -- Index

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels."--Publisher website
  6. The metaphor of celebrity
    Canadian poetry and the public, 1955 - 1980
    Author: Deshaye, Joel
    Published: 2013
    Publisher:  University of Toronto Press, Toronto [u.a.]

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton,... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 915394
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2014 A 5645
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    AMK:RF:328:Des::2013
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1442646616; 9781442646612
    RVK Categories: HQ 4051
    Subjects: Canadian poetry; Poets, Canadian; Canadian poetry; Authors and readers
    Scope: 264 S
    Notes:

    Literaturverz. S. [241] - 256 und Index

    IntroductionThe metaphor of celebrity -- The era of celebrity in Canadian poetry -- Becoming "too public" in the poetry of Irving Layton -- Fighting words : Layton on radio and television -- Recognition, anonymity, and Leonard Cohen's stranger music -- "I like that line because it's got my name in it" : masochistic stardom in Cohen's poetry -- Celebrity, sexuality, and the uncanny in Michael Ondaatje's The collected works of Billy the Kid -- "A razor in the body" : Ondaatje's Rat jelly and Secular love -- The magician and his public in the poetry of Gwendolyn MacEwen -- Passing and celebrity in MacEwen's The T.E. Lawrence pomes -- Conclusion: public, nation, now -- Acknowledgments -- Appendix : four tables -- Notes -- References -- Index.