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  1. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Author: Loesberg, Jonathan
    Published: 2014
    Publisher:  Princeton University Press, Princeton ; ProQuest, Ann Arbor, Michigan

    Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack... more

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

     

    Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as "aestheticist" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul de Man in light of Pater's Renaissance, Loesberg begins by accepting the charge that deconstruction is "aestheticist." He goes on to show, however, that aestheticism and modern deconstruction both produce philosophical knowledge and political effect through persistent self-questioning or "self-resistance" and in the internal critique and destabilization of hegemonic truths. Throughout Loesberg reinterprets Pater and reexamines the contributions of deconstruction in relation to the apparent theoretical shift away from deconstruction and toward new historicism. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862214
    Series: Princeton Legacy Library
    Scope: 1 Online-Ressource (0 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  2. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Author: Loesberg, Jonathan
    Published: [1991]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862214
    Other identifier:
    Subjects: Literatur, Rhetorik, Literaturwissenschaft; Deconstruction; Aestheticism (Literature); Literature / History and criticism / Theory, etc; Literatur; Poetik; Ästhetik; Ästhetizismus; Kunstbetrachtung; Dekonstruktion
    Other subjects: De Man, Paul (1919-1983); Derrida, Jacques (1930-2004); Pater, Walter (1839-1894)
    Scope: 1 Online-Ressource (252p.)
    Notes:

    Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as "aestheticist" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul de Man in light of Pater's Renaissance, Loesberg begins by accepting the charge that deconstruction is "aestheticist." He goes on to show, however, that aestheticism and modern deconstruction both produce philosophical knowledge and political effect through persistent self-questioning or "self-resistance" and in the internal critique and destabilization of hegemonic truths. Throughout Loesberg reinterprets Pater and reexamines the contributions of deconstruction in relation to the apparent theoretical shift away from deconstruction and toward new historicism.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Published: 2014
    Publisher:  Princeton University Press, Princeton

    Considered an exemplar of ""Art-for-Art's Sake"" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack... more

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    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Considered an exemplar of ""Art-for-Art's Sake"" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as ""aestheticist"" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul d

     
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  4. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Author: Loesberg, Jonathan
    Published: 1991; ©1991
    Publisher:  Princeton University Press, Princeton, N.J.

    Main description: Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Main description: Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as "aestheticist" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul de Man in light of Pater's Renaissance, Loesberg begins by accepting the charge that deconstruction is "aestheticist." He goes on to show, however, that aestheticism and modern deconstruction both produce philosophical knowledge and political effect through persistent self-questioning or "self-resistance" and in the internal critique and destabilization of hegemonic truths. Throughout Loesberg reinterprets Pater and reexamines the contributions of deconstruction in relation to the apparent theoretical shift away from deconstruction and toward new historicism.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862214
    Other identifier:
    9781400862214
    Series: Princeton Legacy Library ; 1208
    Subjects: Aestheticism (Literature); Deconstruction; Literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: Online-Ressource (252 S.)
    Notes:

    FrontmatterContentsAcknowledgmentsIntroduction. The Aestheticism of DeconstructionOne. What Is Art for Art's Sake and How Could It Be Anything Else?Two. Studies in the Histories of The RenaissanceThree. Deconstruction: Foundations and Literary LanguageFour. Deconstructive Aesthetics: Literary Language, History, IdeologyFive. Aesthetic Analysis and Political CritiqueAfterword. Aesthetidsm, Journalism, and de Man's Wartime WritingsNotesWorks CitedIndex.
  5. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Author: Loesberg, Jonathan
    Published: 2014
    Publisher:  Princeton University Press, Princeton

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1400862213; 9781400862214
    Series: Princeton legacy library
    Subjects: LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Aestheticism (Literature); Deconstruction; Literature; Literature / Theory, etc; Literatur; Wissen; Deconstruction; Aestheticism (Literature); Literature; Dekonstruktion; Kunstbetrachtung; Ästhetik; Ästhetizismus; Poetik
    Other subjects: Pater, Walter / 1839-1894; Derrida, Jacques; De Man, Paul; De Man, Paul; Derrida, Jacques; Pater, Walter / 1839-1894; Pater, Walter (1839-1894); Derrida, Jacques; De Man, Paul; Derrida, Jacques (1930-2004); Pater, Walter (1839-1894); De Man, Paul (1919-1983)
    Scope: 1 online resource (247 pages)
    Notes:

    Print version record

    Cover; Introduction The Aestheticism of Deconstruction

    Considered an exemplar of ""Art-for-Art's Sake"" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as ""aestheticist"" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul d
  6. Aestheticism and Deconstruction
    Pater, Derrida, and de Man
    Author: Loesberg, Jonathan
    Published: 2014
    Publisher:  Princeton University Press, Princeton

    Considered an exemplar of ""Art-for-Art's Sake"" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    Considered an exemplar of ""Art-for-Art's Sake"" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as ""aestheticist"" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul de

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862214
    Series: Princeton Legacy Library
    Subjects: Pater, Walter ; 1839-1894 ; Knowledge ; Literature; Derrida, Jacques; De Man, Paul; Deconstruction; Aestheticism (Literature); Literature ; History and criticism ; Theory, etc; Electronic books
    Scope: Online-Ressource (247 p)
    Notes:

    Description based upon print version of record

    Cover; Introduction The Aestheticism of Deconstruction