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Displaying results 1 to 7 of 7.

  1. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    Other identifier:
    Series: Essays in the arts
    Subjects: Geschichte; Philosophie; Art and philosophy; Painting; Painting, Baroque; Painting, Italian; Truth; Malerei; Ästhetik
    Other subjects: Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  2. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey ; [ProQuest], [Ann Arbor, Michigan]

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    RVK Categories: LN 51310
    Series: Essays in the arts
    Subjects: Ästhetik; Malerei
    Other subjects: Vico, Giambattista (1668-1744)
    Scope: 1 online resource (161 pages), Illustrations.
    Notes:

    Includes bibliographical references and index

    Description based on print version record
  3. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    Other identifier:
    Series: Essays in the arts
    Subjects: Geschichte; Philosophie; Art and philosophy; Painting; Painting, Baroque; Painting, Italian; Truth; Malerei; Ästhetik
    Other subjects: Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  4. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: [2013]; © 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691138848; 9781400849741
    Subjects: Geschichte; Philosophie; Painting; Art and philosophy; Painting, Italian; Painting, Baroque; Truth; Malerei; Ästhetik
    Other subjects: Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: 1 online resource (161 pages), illustrations
    Notes:

    Description based on print version record
  5. Inventing Falsehood, Making Truth
    Vico and Neapolitan Painting
    Author: Bull, Malcolm
    Published: 2013; ©2013.
    Publisher:  Princeton University Press, Princeton, New Jersey

    Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

    Location:
    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Greifswald
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Merseburg, Bibliothek
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    Other identifier:
    Series: Essays in the arts
    Essays in the Arts
    Subjects: Malerei; Ästhetik; Painting, Baroque; Painting, Italian; Art and philosophy; Painting, Baroque; Art and philosophy; Painting, Italian; Truth; Painting; Art and philosophy.; Painting.; Painting, Baroque.; Painting, Italian.; Truth.; ART / European
    Scope: Online-Ressource (1 online resource)
  6. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691138842; 1400849748; 9780691138848; 9781400849741
    Subjects: ART / History / General; PHILOSOPHY / General; Art and philosophy; Painting, Baroque; Painting, Italian; Painting / Philosophy; Truth; Geschichte; Philosophie; Painting; Art and philosophy; Painting, Italian; Painting, Baroque; Truth; Ästhetik; Malerei
    Other subjects: Vico, Giambattista / 1668-1744; Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: 1 online resource
    Notes:

    Description based on print version record

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--
  7. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Staats- und Universitätsbibliothek Bremen
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    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    No inter-library loan
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 130604619X; 9781306046190; 9781400849741
    Other identifier:
    Series: Essays in the arts
    Subjects: Painting; Art and philosophy; Painting, Italian; Painting, Baroque; Truth
    Other subjects: Vico, Giambattista (1668-1744)
    Scope: Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index