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  1. Rich and Strange
    Gender, History, Modernism
    Published: [2022]; ©1992
    Publisher:  Princeton University Press, Princeton, NJ

    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative... more

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    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Other identifier:
    Subjects: American fiction; Authorship; English fiction; Modernism (Literature); Sex role in literature; LITERARY CRITICISM / Women Authors
    Scope: 1 Online-Ressource (257 p.)
  2. Rich and Strange
    Gender, History, Modernism
    Published: [1992]; ©1992
    Publisher:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative... more

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    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Other identifier:
    Scope: 1 Online-Ressource (257 p.)
  3. Rich and Strange
    Gender, History, Modernism
    Published: [2022]; © 1992
    Publisher:  Princeton University Press, Princeton, NJ

    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; American fiction; Authorship; English fiction; Modernism (Literature); Sex role in literature
    Scope: 1 online resource (257 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)

  4. Rich and Strange
    Gender, History, Modernism
    Published: 1991; ©1992
    Publisher:  Princeton University Press, Princeton

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    Hochschulbibliothek Friedensau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Subjects: Electronic books
    Scope: 1 online resource (268 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  5. Rich and Strange
    Gender, History, Modernism
    Published: 1991; ©1992
    Publisher:  Princeton University Press, Princeton

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- RICH AND STRANGE -- INTRODUCTION -- PART I TOWARD THE MODERNIST NARRATIVE -- Chapter 1 MODERNISM UNDER ERASURE -- Chapter 2 A DIFFERENT STORY: "THE YELLOW WALLPAPER" AND THE TURN OF THE SCREW -- PART II CONRAD... more

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    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- RICH AND STRANGE -- INTRODUCTION -- PART I TOWARD THE MODERNIST NARRATIVE -- Chapter 1 MODERNISM UNDER ERASURE -- Chapter 2 A DIFFERENT STORY: "THE YELLOW WALLPAPER" AND THE TURN OF THE SCREW -- PART II CONRAD AND OTHERS -- Chapter 3 DARKER AND LOWER DOWN: THE ERUPTION OF MODERNISM IN "MELANCTHA" AND THE NIGGER OF THE "NARCISSUS" -- Chapter 4 THE VAGINAL PASSAGE: HEART OF DARKNESS AND THE VOYAGE OUT -- Chapter 5 THE DESTRUCTIVE ELEMENT: THE AWAKENING AND LORD JIM -- PART III INTHE WAKE OF EARLYMODERNISTNARRATIVE -- Chapter 6 (ANTI-) CANONICAL MODERNISM -- Chapter 7 AFTER MODERNISM -- NOTES -- INDEX.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Edition: 1st ed.
    Subjects: English fiction -- 20th century -- History and criticism.;Modernism (Literature) -- Great Britain.;American fiction -- History and criticism.;Modernism (Literature) -- United States.;Authorship -- Sex differences.;Sex role in literature
    Scope: 1 online resource (250 pages)
    Notes:

    Description based on publisher supplied metadata and other sources