Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- List of Colour Plates -- Acknowledgments -- Introduction: Incarnate Experience Kevin G. Grove, Christopher C. Rios, Taylor J. Nutter -- Phenomenological...
more
Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- List of Colour Plates -- Acknowledgments -- Introduction: Incarnate Experience Kevin G. Grove, Christopher C. Rios, Taylor J. Nutter -- Phenomenological Perspectives: Heidegger and Przywara -- Notes -- Part One Embodied Experience in Art and Film -- 1 Call and Response: Negation and the Configuration of Desire Férdia J. Stone-Davis -- Introduction -- Liquid Modernity -- Mystical "Event" -- Musical "Event" -- Apophasis of Anthropology -- Conclusion -- Notes -- Bibliography -- 2 Making Sense in the Midst of Non-Sense: Félix Ravaisson and George Rickey as a Way Forward for Emmanuel Falque Tyler Holley -- Introduction -- The Spread Body in Passivity and Activity -- The Way Forward of Felix Ravaisson -- George Rickey's Kinetic Sculpture -- Conclusion -- Notes -- Bibliography -- 3 Perspective in Nicholas of Cusa and the Rise of the Transcendental Subject Nathan D. Pederson -- Cusan Perspective as Situated within Mystical Darkness -- The Relation of Cusan Perspective to Linear Perspective -- The Phenomenological Stakes of Cusan Perspective -- In Focus: Cusan Perspective and the Mirror -- The Rise of "Colonial Desire" -- Imagining a New Public -- Notes -- Bibliography -- 4 Desirous Seeing: Sol LeWitt, Vision, and Paradox Daniel Adam Lightsey -- I -- II -- III -- Notes -- Bibliography -- 5 Memory and Desire for God in Terrence Malick's To the Wonder Jake Grefenstette -- Introduction: Anamnesis -- Augustine on Silence and "Words from the Soul" -- Forgetting the Wonder: Ephemeral Memory -- Father Quintana on Art and the Divine -- Conclusion: A Phenomenological Context -- Notes -- Bibliography -- 6 Life in the Heart of Cinema: Michel Henry's New Phenomenology and Cinematic Form Joseph G. Kickasola -- Life and Art in Henry. "Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies"--
