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  1. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Syndey

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries."

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160 ; LH 85150
    Subjects: Portraits in art / bicssc; Portraits; Kunst; Subjektivität; Kunstwissenschaft; Bildnis <Motiv>; Selbstbildnis <Motiv>
    Scope: 1 Online-Ressource (xi, 220 Seiten), Illustrationen
    Notes:

    Includes index

  2. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London [England] ; Bloomsbury Publishing, [London, England]

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean post-dictatorship / Megan Corbin. "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055; 9781350192768
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160
    Edition: First edition
    Subjects: Portraits; Portraits in art
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Includes index

    Also published in print.

  3. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Syndey

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries."

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160 ; LH 85150
    Subjects: Portraits in art / bicssc; Portraits; Kunst; Subjektivität; Kunstwissenschaft; Bildnis <Motiv>; Selbstbildnis <Motiv>
    Scope: 1 Online-Ressource (xi, 220 Seiten), Illustrationen
    Notes:

    Includes index

  4. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London [England] ; Bloomsbury Publishing, [London, England]

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Zentrale Hochschulbibliothek Flensburg
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean post-dictatorship / Megan Corbin. "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055; 9781350192768
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160
    Edition: First edition
    Subjects: Portraits; Portraits in art
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Includes index

    Also published in print.