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  1. Blockbusters and the ancient world
    allegory and warfare in contemporary Hollywood
    Published: 2019
    Publisher:  Bloomsbury Academic, London

    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of WWII, the Vietnam War and the Western in portraying warfare in the ancient world, as well discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema"-- War & empire: the ancient world epic, combat films and genre -- The time of Achilles: memory and warfare in Troy -- The dreamers exhaust us: storytellers and the combat film in Alexander -- Is this Sparta: war, freedom and America in 300 -- Body politics: gods, men and monsters in 300 (2007) and Greek mythological epics -- Land of the free, Rome of the brave: faith, torture and imperialism in King Arthur -- American eagle: imperialism in The last legion (2007), Centurion (2010) and The eagle -- Rome on the range: the western in King Arthur (2004), Centurion (2010) and the eagle -- Religious violence: Christianity and extremism in Agora -- Passion project: faith, horror, and propaganda in The passion of the Christ -- The new wave: tales of Hercules and the return of the biblical epic.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350105034; 9781350105010; 9781350105027
    Other identifier:
    Subjects: Epic films; Historical films; War films; History, Ancient, in motion pictures; September 11 Terrorist Attacks, 2001; War on Terrorism, 2001-2009; Motion pictures
    Scope: 1 OnlineRessource (ix, 246 pages), illustrations
  2. Blockbusters and the ancient world
    allegory and warfare in contemporary Hollywood/
    Published: 2019
    Publisher:  Bloomsbury Academic, London, England ; ProQuest, Ann Arbor, Michigan

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350105010
    RVK Categories: AP 47400 ; AP 52600 ; AP 50300
    Subjects: Historischer Film; Antike <Motiv>
    Scope: 1 Online-Ressource (257 pages)
    Notes:

    Description based on print version record

  3. Blockbusters and the ancient world
    allegory and warfare in contemporary Hollywood
    Published: 2019
    Publisher:  Bloomsbury Academic, London

    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of WWII, the Vietnam War and the Western in portraying warfare in the ancient world, as well discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema"-- War & empire: the ancient world epic, combat films and genre -- The time of Achilles: memory and warfare in Troy -- The dreamers exhaust us: storytellers and the combat film in Alexander -- Is this Sparta: war, freedom and America in 300 -- Body politics: gods, men and monsters in 300 (2007) and Greek mythological epics -- Land of the free, Rome of the brave: faith, torture and imperialism in King Arthur -- American eagle: imperialism in The last legion (2007), Centurion (2010) and The eagle -- Rome on the range: the western in King Arthur (2004), Centurion (2010) and the eagle -- Religious violence: Christianity and extremism in Agora -- Passion project: faith, horror, and propaganda in The passion of the Christ -- The new wave: tales of Hercules and the return of the biblical epic.

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350105034; 9781350105010; 9781350105027
    Other identifier:
    Subjects: Epic films; Historical films; War films; History, Ancient, in motion pictures; September 11 Terrorist Attacks, 2001; War on Terrorism, 2001-2009; Motion pictures
    Scope: 1 OnlineRessource (ix, 246 pages), illustrations
  4. Blockbusters and the ancient world
    allegory and warfare in contemporary Hollywood
    Published: 2019
    Publisher:  Bloomsbury Academic, London ; New York, NY

    Access:
    Resolving-System (URL des Erstveröffentlichers)
    Resolving-System (lizenzpflichtig)
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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