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  1. James Joyce and classical modernism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing, London

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that... more

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    Universität Mainz, Zentralbibliothek
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    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses , which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang."--...

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350004146
    Other identifier:
    Series: Classical receptions in twentieth-century writing
    Subjects: Modernism (Literature); Literary studies: classical, early & medieval
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Classical Studies & Archaeology 2020

  2. James Joyce and classical modernism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350004146
    Other identifier:
    Series: Classical receptions in twentieth-century writing
    Subjects: Modernism (Literature) / Ireland; Literary studies: classical, early & medieval
    Other subjects: Joyce, James / 1882-1941 / Criticism and interpretation
    Scope: 1 online resource, illustrations
    Notes:

    Includes bibliographical references and index

    Also published in print

  3. James Joyce and classical modernism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

    Hochschulbibliothek der Fachhochschule Aachen
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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350004146
    Other identifier:
    Series: Classical receptions in twentieth-century writing
    Other subjects: Joyce, James / 1882-1941 / Criticism and interpretation; Modernism (Literature) / Ireland; Literary studies: classical, early & medieval; Electronic books
    Scope: 1 online resource, illustrations
    Notes:

    Includes bibliographical references and index

    Also published in print

  4. James Joyce and classical modernism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses , which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang."-- Series editor preface Acknowledgments Abbreviations -- Introduction: Reading and Reception in Joyce's Classical Modernism 1Joyce's Classical Passwords 2"So let the ruins rot': Joyce and Historical Apathy 3Joyce, Homer, and the Seductions of Reading Conclusion: The Pleasures of (Not) Reading Joyce and the Classics -- Notes Bibliography Index.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1350004081; 9781350004146; 9781350004085; 9781350004122
    Other identifier:
    Series: Classical receptions in twentieth-century writing
    Subjects: Modernism (Literature); Literary studies: classical, early & medieval
    Other subjects: Joyce, James (1882-1941)
    Scope: 1 Online-Ressource, illustrations
    Notes:

    Includes bibliographical references and index

    Also published in print.

  5. James Joyce and classical modernism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses , which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang."-- Series editor preface Acknowledgments Abbreviations -- Introduction: Reading and Reception in Joyce's Classical Modernism 1Joyce's Classical Passwords 2"So let the ruins rot': Joyce and Historical Apathy 3Joyce, Homer, and the Seductions of Reading Conclusion: The Pleasures of (Not) Reading Joyce and the Classics -- Notes Bibliography Index.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1350004081; 9781350004146; 9781350004085; 9781350004122
    Other identifier:
    Series: Classical receptions in twentieth-century writing
    Subjects: Modernism (Literature); Literary studies: classical, early & medieval
    Other subjects: Joyce, James (1882-1941)
    Scope: 1 Online-Ressource, illustrations
    Notes:

    Includes bibliographical references and index

    Also published in print.