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  1. Classical myth on screen
    Contributor: Cyrino, Monica Silveira (Herausgeber); Safran, Meredith E. (Herausgeber)
    Published: April 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    bestellt
    Inter-library loan:
    No inter-library loan
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    Content information
    Source: Union catalogues
    Contributor: Cyrino, Monica Silveira (Herausgeber); Safran, Meredith E. (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137494535; 9781349504800
    RVK Categories: AP 50300
    Edition: First edition
    Subjects: Film; Mythos <Motiv>
    Scope: x, 257 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Classical myth on screen
    Contributor: Cyrino, Monica Silveira (Publisher); Safran, Meredith E. (Publisher)
    Published: April 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Cyrino, Monica Silveira (Publisher); Safran, Meredith E. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781137494535; 9781349504800
    RVK Categories: AP 50300
    Edition: First edition
    Subjects: Film; Mythos <Motiv>
    Scope: x, 257 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Classical myth on screen
    Published: [2015]
    Publisher:  Palgrave Macmillan, New York, NY

    Introduction: Cinemyths: classical myth on screen / Meredith E. Safran and Monica S. Cyrino -- Part I. -- The hero's struggle -- "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985) / Lisl Walsh -- The isolated hero:... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: Cinemyths: classical myth on screen / Meredith E. Safran and Monica S. Cyrino -- Part I. -- The hero's struggle -- "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985) / Lisl Walsh -- The isolated hero: Papillon (1973), Cast away (2000), and the Myth of Philoctetes / Scott A. Barnard -- The limits of human knowledge: Oedipal problems in A serious man (2009) / Osman Umurhan -- Orpheus in a gray flannel suit: George Nolfi's The adjustment bureau (2011) / Seán Easton -- Part II. -- Fashioning the feminine -- Dystopian Amazons: fantasies of patriarchy in Le Gladiatrici (1963) / Antony Augoustakis -- Arya, Katniss, and Merida: empowering girls through the Amazonian archetype / Beverly J. Graf -- The suspense thriller's Pygmalion complex: masculine desire in Vertigo (1958), Les Biches (1968), and Body double (1984) / Kaelie Thompson -- Plastic surgery: failed Pygmalions and decomposing women in Les yeux sans visage (1960) and Bride of re-animator (1989) / Hunter H. Gardner -- Part III. -- Negotiating the cosmic divide -- Savior of the working man: Promethean allusions in Fritz Lang's Metropolis (1927) / Alex McAuley -- Magic, music, race: screening "Black enchantment" after Black Orpheus (1959) / Monica S. Cyrino -- Re-conceiving Hercules: divine paternity and Christian Anxiety in Hercules (2005) / Meredith E. Safran -- The twilight of Olympus: deicide and the end of the Greek gods / Vincent Tomasso -- Part IV. -- Cinemyth-making -- Of marketing and men: making the cinematic Greek hero, 2010-2014 / Stacie Raucci -- John Cameron Mitchell's aristophanic cinema: Hedwig and the angry inch (2001) / Lorenzo F. Garcia Jr. -- Dionysus comes to Gotham: forces of disorder in The Dark Knight (2008) / David Bullen -- Hypatia and Brian: early Christianity as Greek mythological drama / Anise K. Strong -- Divine animation: Clash of the Titans (1981) / Dan Curley

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137494535; 9781349504800
    RVK Categories: AP 50300
    Edition: 1. ed.
    Subjects: Mythology in motion pictures; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television
    Scope: X, 257 S., Ill.
    Notes:

    Includes bibliographical references and index

    Meredith E. Safran and Monica S. CyrinoPart 1.: Introduction: Cinemyths: classical myth on screen

    Lisl Walsh: The hero's struggle ; "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985)

    Scott A. Barnard: The isolated hero: Papillon (1973), Cast away (2000), and the Myth of Philoctetes

    Osman Umurhan: The limits of human knowledge: Oedipal problems in A serious man (2009)

    Seán Easton: Orpheus in a gray flannel suit: George Nolfi's The adjustment bureau (2011)

    Antony Augoustakis: Part 2. ; Fashioning the feminine ; Dystopian Amazons: fantasies of patriarchy in Le Gladiatrici (1963)

    Beverly J. Graf: Arya, Katniss, and Merida: empowering girls through the Amazonian archetype

    Kaelie Thompson: The suspense thriller's Pygmalion complex: masculine desire in Vertigo (1958), Les Biches (1968), and Body double (1984)

    Hunter H. Gardner: Plastic surgery: failed Pygmalions and decomposing women in Les yeux sans visage (1960) and Bride of re-animator (1989)

    Alex McAuley: Part 3. ; Negotiating the cosmic divide ; Savior of the working man: Promethean allusions in Fritz Lang's Metropolis (1927)

    Monica S. Cyrino: Magic, music, race: screening "Black enchantment" after Black Orpheus (1959)

    Meredith E. Safran: Re-conceiving Hercules: divine paternity and Christian Anxiety in Hercules (2005)

    Vincent Tomasso: The twilight of Olympus: deicide and the end of the Greek gods

    Stacie Raucci: Part 4. ; Cinemyth-making ; Of marketing and men: making the cinematic Greek hero, 2010-2014

    Lorenzo F. Garcia Jr.: John Cameron Mitchell's aristophanic cinema: Hedwig and the angry inch (2001)

    David Bullen: Dionysus comes to Gotham: forces of disorder in The Dark Knight (2008)

    Anise K. Strong: Hypatia and Brian: early Christianity as Greek mythological drama

    Dan Curley.: Divine animation: Clash of the Titans (1981)
  4. Classical myth on screen
    Published: [2015]
    Publisher:  Palgrave Macmillan, New York, NY

    Introduction: Cinemyths: classical myth on screen / Meredith E. Safran and Monica S. Cyrino -- Part I. -- The hero's struggle -- "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985) / Lisl Walsh -- The isolated hero:... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 930771
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    R 180
    Inter-library loan:
    No inter-library loan

     

    Introduction: Cinemyths: classical myth on screen / Meredith E. Safran and Monica S. Cyrino -- Part I. -- The hero's struggle -- "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985) / Lisl Walsh -- The isolated hero: Papillon (1973), Cast away (2000), and the Myth of Philoctetes / Scott A. Barnard -- The limits of human knowledge: Oedipal problems in A serious man (2009) / Osman Umurhan -- Orpheus in a gray flannel suit: George Nolfi's The adjustment bureau (2011) / Seán Easton -- Part II. -- Fashioning the feminine -- Dystopian Amazons: fantasies of patriarchy in Le Gladiatrici (1963) / Antony Augoustakis -- Arya, Katniss, and Merida: empowering girls through the Amazonian archetype / Beverly J. Graf -- The suspense thriller's Pygmalion complex: masculine desire in Vertigo (1958), Les Biches (1968), and Body double (1984) / Kaelie Thompson -- Plastic surgery: failed Pygmalions and decomposing women in Les yeux sans visage (1960) and Bride of re-animator (1989) / Hunter H. Gardner -- Part III. -- Negotiating the cosmic divide -- Savior of the working man: Promethean allusions in Fritz Lang's Metropolis (1927) / Alex McAuley -- Magic, music, race: screening "Black enchantment" after Black Orpheus (1959) / Monica S. Cyrino -- Re-conceiving Hercules: divine paternity and Christian Anxiety in Hercules (2005) / Meredith E. Safran -- The twilight of Olympus: deicide and the end of the Greek gods / Vincent Tomasso -- Part IV. -- Cinemyth-making -- Of marketing and men: making the cinematic Greek hero, 2010-2014 / Stacie Raucci -- John Cameron Mitchell's aristophanic cinema: Hedwig and the angry inch (2001) / Lorenzo F. Garcia Jr. -- Dionysus comes to Gotham: forces of disorder in The Dark Knight (2008) / David Bullen -- Hypatia and Brian: early Christianity as Greek mythological drama / Anise K. Strong -- Divine animation: Clash of the Titans (1981) / Dan Curley

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137494535; 9781349504800
    RVK Categories: AP 50300
    Edition: 1. ed.
    Subjects: Mythology in motion pictures; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television
    Scope: X, 257 S., Ill.
    Notes:

    Includes bibliographical references and index

    Meredith E. Safran and Monica S. CyrinoPart 1.: Introduction: Cinemyths: classical myth on screen

    Lisl Walsh: The hero's struggle ; "Italian Stallion" meets "Breaker of Horses": Achilles and Hector in Rocky IV (1985)

    Scott A. Barnard: The isolated hero: Papillon (1973), Cast away (2000), and the Myth of Philoctetes

    Osman Umurhan: The limits of human knowledge: Oedipal problems in A serious man (2009)

    Seán Easton: Orpheus in a gray flannel suit: George Nolfi's The adjustment bureau (2011)

    Antony Augoustakis: Part 2. ; Fashioning the feminine ; Dystopian Amazons: fantasies of patriarchy in Le Gladiatrici (1963)

    Beverly J. Graf: Arya, Katniss, and Merida: empowering girls through the Amazonian archetype

    Kaelie Thompson: The suspense thriller's Pygmalion complex: masculine desire in Vertigo (1958), Les Biches (1968), and Body double (1984)

    Hunter H. Gardner: Plastic surgery: failed Pygmalions and decomposing women in Les yeux sans visage (1960) and Bride of re-animator (1989)

    Alex McAuley: Part 3. ; Negotiating the cosmic divide ; Savior of the working man: Promethean allusions in Fritz Lang's Metropolis (1927)

    Monica S. Cyrino: Magic, music, race: screening "Black enchantment" after Black Orpheus (1959)

    Meredith E. Safran: Re-conceiving Hercules: divine paternity and Christian Anxiety in Hercules (2005)

    Vincent Tomasso: The twilight of Olympus: deicide and the end of the Greek gods

    Stacie Raucci: Part 4. ; Cinemyth-making ; Of marketing and men: making the cinematic Greek hero, 2010-2014

    Lorenzo F. Garcia Jr.: John Cameron Mitchell's aristophanic cinema: Hedwig and the angry inch (2001)

    David Bullen: Dionysus comes to Gotham: forces of disorder in The Dark Knight (2008)

    Anise K. Strong: Hypatia and Brian: early Christianity as Greek mythological drama

    Dan Curley.: Divine animation: Clash of the Titans (1981)