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  1. Stage and picture in the English Renaissance
    the mirror up to nature
    Author: Astington, John
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the... more

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    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316344095
    Subjects: Drama; Englisch; Kunst; Bühne
    Scope: 1 Online-Ressource (xii, 270 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Jul 2017)
  2. Stage and picture in the English Renaissance
    the mirror up to nature
    Author: Astington, John
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received

     
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    Content information
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316344095
    Other identifier:
    RVK Categories: HI 1250 ; HI 1269
    Subjects: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; Art and literature / England / History / 16th century; Art and literature / England / History / 17th century; Art and society / England / History / 16th century; Art and society / England / History / 16th century; Theater / England / History / 16th century; Theater / England / History / 17th century; Renaissance / England; Bühne; Englisch; Kunst; Drama; Theater; Illustration
    Scope: 1 online resource (xii, 270 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Jul 2017)

    Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion
  3. Stage and picture in the English Renaissance
    the mirror up to nature
    Author: Astington, John
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the... more

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    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion

     
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  4. Stage and picture in the English Renaissance
    the mirror up to nature
    Author: Astington, John
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the... more

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    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion

     
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