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  1. Modernism and naturalism in British and Irish fiction, 1880-1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed... more

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    Universität Frankfurt, Elektronische Ressourcen
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    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316018668
    RVK Categories: HG 290 ; HM 1004 ; HM 1130 ; HM 1331
    Subjects: Englisch; Roman; Moderne; Naturalismus
    Scope: 1 Online-Ressource (viii, 216 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Modernism and naturalism in British and Irish fiction, 1880-1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton Introduction: A modernism on all fours -- 1. How Zola crossed (and didn't cross) the English Channel -- 2. Portraits and artists: impressionism and naturalism -- 3. A naturalism for Ireland -- 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel -- 5. The voice of witlessness: Virginia Woolf and the poor -- Afterword: Nietzsche contra naturalism (contra Nietzscheans)

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316018668
    Other identifier:
    RVK Categories: HM 1130
    Subjects: English fiction; Naturalism in literature; English fiction; Modernism (Literature); Modernism (Literature) ; Great Britain; English fiction ; History and criticism; English fiction ; Irish authors ; History and criticism; Naturalism in literature
    Scope: 1 Online-Ressource (viii, 216 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Modernism and naturalism in British and Irish fiction, 1880-1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316018668
    Other identifier:
    RVK Categories: HG 290 ; HM 1004 ; HM 1130 ; HM 1139 ; HM 1331
    Subjects: Modernism (Literature) / Great Britain; English fiction / History and criticism; English fiction / Irish authors / History and criticism; Naturalism in literature; Moderne; Naturalismus; Determinismus <Motiv>; Englisch; Prosa
    Other subjects: Grand, Sarah (1854-1943); Joyce, James (1882-1941); Moore, George (1852-1933); Woolf, Virginia (1882-1941); Zola, Émile (1840-1902)
    Scope: 1 online resource (viii, 216 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: A modernism on all fours -- 1. How Zola crossed (and didn't cross) the English Channel -- 2. Portraits and artists: impressionism and naturalism -- 3. A naturalism for Ireland -- 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel -- 5. The voice of witlessness: Virginia Woolf and the poor -- Afterword: Nietzsche contra naturalism (contra Nietzscheans)
  4. Modernism and naturalism in British and Irish fiction, 1880-1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton Introduction: A modernism on all fours -- 1. How Zola crossed (and didn't cross) the English Channel -- 2. Portraits and artists: impressionism and naturalism -- 3. A naturalism for Ireland -- 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel -- 5. The voice of witlessness: Virginia Woolf and the poor -- Afterword: Nietzsche contra naturalism (contra Nietzscheans)

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316018668
    Other identifier:
    RVK Categories: HM 1130
    Subjects: English fiction; Naturalism in literature; English fiction; Modernism (Literature); Modernism (Literature) ; Great Britain; English fiction ; History and criticism; English fiction ; Irish authors ; History and criticism; Naturalism in literature
    Scope: 1 Online-Ressource (viii, 216 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)