Publisher:
Routledge, Taylor & Francis Group, London
;
Routledge, New York
Cover -- Title -- Copyright -- Contents -- List of plates -- List of figures and music examples -- List of tables -- List of contributors -- List of abbreviations -- Introduction -- PART I Music printing and publishing in the fifteenth century -- 1...
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Cover -- Title -- Copyright -- Contents -- List of plates -- List of figures and music examples -- List of tables -- List of contributors -- List of abbreviations -- Introduction -- PART I Music printing and publishing in the fifteenth century -- 1 Early music printing and ecclesiastic patronage -- 2 German-speaking printers and the development of music printing in Spain (1485â1505) -- PART II Printing techniques: problems and solutions -- 3 âMade in Germanyâ: the dissemination of mensural German music types outside the German-speaking area (and vice versa), up to 1650 -- 4 Printing music: technical challenges and synthesis, 1450â1530 -- 5 âSynopsis musicaeâ: charts and tables in sixteenth-century music textbooks -- PART III Music printing and commerce -- 6 Melchior Lotter: a German âmusic printerâ -- 7 The music books of Christian Egenolff: bad impressions = good return on investment -- 8 The music editions of Christian Egenolff: a new catalogue and its implications -- PART IV Music printing and intellectual history -- 9 The cult of Luther in music -- 10 Theobald Billican and Michaelâs ode settings in print: notes on an exceptional transmission -- 11 Polyphonic music in early German print: changing perspectives in music historiography -- Index
