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  1. The woman who pretended to be who she was
    myths of self-imitation
    Published: 2005
    Publisher:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280560266; 1423761634; 9781280560262; 9781423761631
    Subjects: LITERARY CRITICISM / Gay & Lesbian; Zelfpresentatie; Zelfexpressie; Simulatie; Letterkunde; Literatur; Impersonation in literature; Self in literature; Selbst <Motiv>; Literatur; Frau
    Scope: 1 Online-Ressource (xii, 272 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 253-262) and index

    Introduction: The self-impersonation of mythology. Pre- and postmodern narrative recycling ; Chronology and intertexuality ; The Möbius strip and the Zen diagram. -- The mythology of self-impersonation. Self-impersonation ; Self-impersonation by the famous and the literary ; Nature imitating art imitating nature ; Playing within the play ; Virtual reality ; Acting out in politics ; Ironic tangos. -- The man who mistook his wife for his wife. The marriage of Udayana: Ratnavali, the lady of the jeweled necklace, Priyadarshika, the woman who shows her love ; The marriage of Figaro ; The self-replicating wife. -- The double amnesia of Siegfried and Brünnhilde. Thidreks saga ; Völsunga saga ; Nibelungenlied ; Ibsen's The Vikings at Helgeland ; Wagner's The ring of the Nibelung ; The sword in the bed. -- Resurrection and the comedy of remarriage. True and false accusations and ordeals of adultery ; Sita's ordeal of resurrection ; Resurrected marriage in Shakespeare's: The winter's tale ; The self-replicating child ; Self-replicating, self-sacrificing mothers ; Resurrected marriage in Hollywood: My favorite wife (1940) ; The comedy of remarriage in Hollywood: The awful truth (1937), The lady Eve (1941) --

    Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover who they really are under the masks they usually wear, so that the mask reveals rather than conceals the self beneath the self. In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity. These stories are extreme examples of what we common folk.; In this book, noted scholar of Hinduism and mythology Wen oniger offers a cross-cultural exploration of the theme or us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery. Drawing on a dizzying array of tales-some fact, some fiction-"The Woman Who Pretended to Be Who She Was" is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition

  2. The woman who pretended to be who she was
    myths of self-imitation
    Published: 2010
    Publisher:  Oxford University Press, New York

    Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover... more

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover who they really are under the masks they usually wear, so that the mask reveals rather than conceals the self beneath the self. In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity. These stories are extreme examples of what we common folk.; In this book, noted scholar of Hinduism and mythology Wen oniger offers a cross-cultural exploration of the theme or us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery. Drawing on a dizzying array of tales-some fact, some fiction-"The Woman Who Pretended to Be Who She Was" is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423761634; 9781423761631; 0195160169; 9780195160161; 1280560266; 9781280560262
    Subjects: Impersonation in literature; Self in literature; Impersonation in literature; Self in literature
    Scope: Online Ressource (xii, 272 p.)
    Notes:

    Includes bibliographical references (p. 253-262) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  3. The woman who pretended to be who she was
    myths of self-imitation
    Published: 2005
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover who they really are under the masks they usually wear, so that the mask reveals rather than conceals the self beneath the self. In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity. These stories are extreme examples of what we common folk.; In this book, noted scholar of Hinduism and mythology Wen oniger offers a cross-cultural exploration of the theme or us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery. Drawing on a dizzying array of tales-some fact, some fiction-"The Woman Who Pretended to Be Who She Was" is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423761634; 9781423761631; 0195160169; 9780195160161; 1280560266; 9781280560262; 9781602568358; 1602568359
    Subjects: Frau; Selbst <Motiv>; Literatur
    Scope: 1 Online-Ressource (xii, 272 pages)
    Notes:

    Includes bibliographical references (pages 253-262) and index