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  1. Conflicting stories
    American women writers at the turn into the twentieth century
    Published: c1992
    Publisher:  Oxford University Press, New York

    Liz Ammons's book examines the dramatic appearance, at the turn of the century, of a highly talented group of American women writers from diverse cultural and ethnic backgrounds. How isolated occurrences of talent coalesced into a virtual phenomenon,... more

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    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Liz Ammons's book examines the dramatic appearance, at the turn of the century, of a highly talented group of American women writers from diverse cultural and ethnic backgrounds. How isolated occurrences of talent coalesced into a virtual phenomenon, and against what historical and social obstacles women of the early twentieth century contended, are recurring themes of Ammons' study. Posthumous barriers exist for these women today in the form of literary obscurity; Ammons seeks to overturn these barriers and broaden public recognition beyond individual, received authors (such as Wharton and Cather) by demonstrating the abilities of their peers. With extensive inclusion of numerous previously neglected women writers of African-American descent, Conflicting Stories joins a highly topical debate, and offers a necessary revision of mainstream criticism's simplified reading of America's literary past

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780195080384; 0195080386; 1280526653; 9781280526657; 1429407786; 9781429407786
    Subjects: American fiction; Women and literature; Women and literature; American fiction; American fiction; Women and literature; Women and literature; American fiction; American fiction; American fiction; American fiction; American fiction; American fiction; Women and literature; Women and literature; LITERARY CRITICISM ; American ; General; American fiction; American fiction ; Women authors; Women and literature; Vrouwelijke auteurs; Criticism, interpretation, etc; History
    Scope: Online Ressource (ix, 234 p.)
    Notes:

    Includes bibliographical references (p. 201-226) and index. - Description based on print version record

    CoverContents -- 1. Introduction -- 2. Breaking Silence: lola Leroy -- 3. Writing Silence: "The Yellow Wallpaper" -- 4. Finding Form: Narrative Geography and The Country of the Pointed Firs -- 5. The Limits of Freedom: The Fiction of Alice Dunbar-Nelson, Kate Chopin, and Pauline Hopkins -- 6. Form and Difference: Gertrude Stein and Mary Austin -- 7. Audacious Words: Sui Sin Far's Mrs. Spring Fragrance -- 8. Art: Willa Cather, the Woman Writer as Artist, and Humishuma -- 9. Plots: Jessie Fauset and Edith Wharton -- 10. Slow Starvation: Hunger and Hatred in Anzia Yezierska, Ellen Glasgow, and Edith Summers Kelley -- 11. Jumping Out the Window: Nella Larsen's Passing and the End of an Era -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y -- Z -- Last Page

  2. Conflicting stories
    American women writers at the turn into the twentieth century
    Published: 1992
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    Liz Ammons's book examines the dramatic appearance, at the turn of the century, of a highly talented group of American women writers from diverse cultural and ethnic backgrounds. How isolated occurrences of talent coalesced into a virtual phenomenon,... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Liz Ammons's book examines the dramatic appearance, at the turn of the century, of a highly talented group of American women writers from diverse cultural and ethnic backgrounds. How isolated occurrences of talent coalesced into a virtual phenomenon, and against what historical and social obstacles women of the early twentieth century contended, are recurring themes of Ammons' study. Posthumous barriers exist for these women today in the form of literary obscurity; Ammons seeks to overturn these barriers and broaden public recognition beyond individual, received authors (such as Wharton and Cather) by demonstrating the abilities of their peers. With extensive inclusion of numerous previously neglected women writers of African-American descent, Conflicting Stories joins a highly topical debate, and offers a necessary revision of mainstream criticism's simplified reading of America's literary past.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1429407786; 9781429407786; 9780195080384; 0195080386; 1280526653; 9781280526657; 019506030X; 9780195060300
    RVK Categories: HU 1819 ; HU 1811
    Subjects: Frauenliteratur; Romanschriftstellerin
    Scope: 1 Online-Ressource (ix, 234 pages)
    Notes:

    Includes bibliographical references (pages 201-226) and index

  3. Conflicting stories
    American women writers at the turn into the twentieth century
    Published: c1992
    Publisher:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280526653; 1429407786; 9781280526657; 9781429407786
    RVK Categories: HU 1811 ; HU 1818 ; HU 1819
    Subjects: LITERARY CRITICISM / American / General; Vrouwelijke auteurs; American fiction; American fiction / Women authors; Women and literature; Geschichte; Schriftstellerin; American fiction; Women and literature; Women and literature; American fiction; American fiction; Frauenprosa; Frauenroman; Frauenliteratur; Roman; Romanschriftstellerin
    Scope: 1 Online-Ressource (ix, 234 p.)
    Notes:

    Includes bibliographical references (p. 201-226) and index

    Cover -- Contents -- 1. Introduction -- 2. Breaking Silence: lola Leroy -- 3. Writing Silence: "The Yellow Wallpaper" -- 4. Finding Form: Narrative Geography and The Country of the Pointed Firs -- 5. The Limits of Freedom: The Fiction of Alice Dunbar-Nelson, Kate Chopin, and Pauline Hopkins -- 6. Form and Difference: Gertrude Stein and Mary Austin -- 7. Audacious Words: Sui Sin Far's Mrs. Spring Fragrance -- 8. Art: Willa Cather, the Woman Writer as Artist, and Humishuma -- 9. Plots: Jessie Fauset and Edith Wharton -- 10. Slow Starvation: Hunger and Hatred in Anzia Yezierska, Ellen Glasgow, and Edith Summers Kelley -- 11. Jumping Out the Window: Nella Larsen's Passing and the End of an Era -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y -- Z -- Last Page

    Liz Ammons's book examines the dramatic appearance, at the turn of the century, of a highly talented group of American women writers from diverse cultural and ethnic backgrounds. How isolated occurrences of talent coalesced into a virtual phenomenon, and against what historical and social obstacles women of the early twentieth century contended, are recurring themes of Ammons' study. Posthumous barriers exist for these women today in the form of literary obscurity; Ammons seeks to overturn these barriers and broaden public recognition beyond individual, received authors (such as Wharton and Cather) by demonstrating the abilities of their peers. With extensive inclusion of numerous previously neglected women writers of African-American descent, Conflicting Stories joins a highly topical debate, and offers a necessary revision of mainstream criticism's simplified reading of America's literary past