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  1. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

    Universität Frankfurt, Elektronische Ressourcen
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    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139939607
    Subjects: Drama; Zuhause <Motiv>; Familie <Motiv>
    Scope: 1 Online-Ressource (x, 242 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, New York

    "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

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    Hochschule Aalen, Bibliothek
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    "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"-- Introduction: Ibsen and after -- 1. A Doll's House: the drama of the interior -- 2. The Cherry Orchard: all Russia -- 3. Heartbreak House: waiting for the Zeppelin -- 4. Long Day's Journey into Night: the Tyrones at home in America -- 5. A Streetcar Named Desire: see-through representation -- 6. Endgame: in the refuge -- 7. The Homecoming: men's room -- 8. Arcadia: seeing double -- 9. Topdog/Underdog: welcome to the family -- Conclusion: home base.

     

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  3. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139939607
    Other identifier:
    Subjects: Drama; Home in literature; Families in literature; Drama; Domestic drama; Domestic drama ; History and criticism; Drama ; 20th century ; History and criticism; Drama ; 21st century ; History and criticism; Home in literature; Families in literature
    Scope: 1 Online-Ressource (x, 242 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139939607
    Other identifier:
    RVK Categories: EC 7905 ; HG 620
    Subjects: Domestic drama / History and criticism; Drama / 20th century / History and criticism; Drama / 21st century / History and criticism; Home in literature; Families in literature; Privatheit <Motiv>; Bühnenwerk; Haus <Motiv>; Zuhause <Motiv>; Drama
    Scope: 1 online resource (x, 242 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base

  5. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139939607
    Other identifier:
    Subjects: Drama; Home in literature; Families in literature; Drama; Domestic drama; Domestic drama ; History and criticism; Drama ; 20th century ; History and criticism; Drama ; 21st century ; History and criticism; Home in literature; Families in literature
    Scope: 1 Online-Ressource (x, 242 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)