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  1. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
    RVK Categories: HG 674
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Literatur; Gothic novel
    Scope: 1 Online-Ressource (xii, 214 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 12 Jan 2016)
  2. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
    Other identifier:
    RVK Categories: HG 673 ; HL 1314
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Romanticism; Comparative literature; Comparative literature; Gothic revival (Literature); Romanticism; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), English ; History and criticism; Romanticism ; Great Britain; Romanticism ; France; Comparative literature ; English and French; Comparative literature ; French and English; Gothic revival (Literature)
    Scope: 1 Online-Ressource (xii, 214 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 12 Jan 2016)
  3. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
    Other identifier:
    RVK Categories: HL 1081 ; HL 1301 ; HL 1314
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Gothic fiction (Literary genre), English / History and criticism; Romanticism / Great Britain; Romanticism / France; Comparative literature / English and French; Comparative literature / French and English; Gothic revival (Literature); Französisch; Rezeption; Schauerliteratur; Englisch; Gothic novel
    Scope: 1 online resource (xii, 214 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 12 Jan 2016)
  4. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France The mysterious author Horace Walpole -- The translator cloak'd: Sophia Lee, Clara Reeve and Charlotte Smith -- Versions... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France The mysterious author Horace Walpole -- The translator cloak'd: Sophia Lee, Clara Reeve and Charlotte Smith -- Versions of Gothic and terror -- The castle under threat: Ann Radcliffe's system and the romance of Europe -- 'The Order Disorder'd': French convents and British liberty -- Conclusion: afterlives.

     
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  5. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
    Other identifier:
    RVK Categories: HG 673 ; HL 1314
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Romanticism; Comparative literature; Comparative literature; Gothic revival (Literature); Romanticism; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), English ; History and criticism; Romanticism ; Great Britain; Romanticism ; France; Comparative literature ; English and French; Comparative literature ; French and English; Gothic revival (Literature)
    Scope: 1 Online-Ressource (xii, 214 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 12 Jan 2016)