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  1. The Cambridge handbook of the psychology of aesthetics and the arts
    Contributor: Tinio, Pablo P. L. (Publisher); Smith, Jeffrey K. (Publisher)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Tinio, Pablo P. L. (Publisher); Smith, Jeffrey K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139207058
    Other identifier:
    RVK Categories: LH 61080 ; CC 6800 ; CC 7500 ; CX 7500
    Series: Cambridge handbooks in psychology
    Subjects: Psychologie; Ästhetik; Aesthetics / Psychological aspects; Arts / Psychological aspects; Psychologie; Künste; Ästhetik; Kunstpsychologie
    Scope: 1 online resource (620 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J.

    Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21.

    Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith
  2. The Cambridge handbook of the psychology of aesthetics and the arts
    Contributor: Tinio, Pablo P. L. (Publisher); Smith, Jeffrey K. (Publisher)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Tinio, Pablo P. L. (Publisher); Smith, Jeffrey K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139207058
    Other identifier:
    RVK Categories: LH 61080 ; CC 6800 ; CC 7500 ; CX 7500
    Series: Cambridge handbooks in psychology
    Subjects: Psychologie; Ästhetik; Aesthetics / Psychological aspects; Arts / Psychological aspects; Psychologie; Künste; Ästhetik; Kunstpsychologie
    Scope: 1 online resource (620 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J.

    Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21.

    Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith
  3. The Cambridge handbook of the psychology of aesthetics and the arts
    Contributor: Tinio, Pablo P. L. (HerausgeberIn)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Tinio, Pablo P. L. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139207058
    Other identifier:
    RVK Categories: LH 61080
    Series: Cambridge handbooks in psychology
    Subjects: Arts; Aesthetics; Aesthetics ; Psychological aspects; Arts ; Psychological aspects
    Scope: 1 Online-Ressource (XXV, 620 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)