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  1. Modernism, imperialism, and the historical sense
    Author: Stasi, Paul
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139108911
    Scope: 1 Online-Ressource (ix, 188 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Modernism, imperialism, and the historical sense
    Author: Stasi, Paul
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City

    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies

     
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  3. Modernism, imperialism, and the historical sense
    Author: Stasi, Paul
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City

    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist... more

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    Bayerische Staatsbibliothek
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    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies

     
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  4. Modernism, imperialism, and the historical sense
    Author: Stasi, Paul
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist... more

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    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies Machine generated contents note: Acknowledgments; Introduction: imperial structures of feeling; 1. The persistence of the past: modernism vs. imperial time; 2. The Waste Land and the unreal center of capitalist modernity; 3. Cosmopolitan kulchur: The Cantos as world literature; 4. Turning production into consumption: Ulysses and the construction of postcolonial agency; 5. 'Moments of pride in England': Virginia Woolf and the forms of national subjectivity; Coda: the Edwardian lumber room; Notes

     
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