Venita Datta: Paris as a symbol (1852-1914)
Stefan Frey: "Yes, I'm a gay Parisian!" : establishing the trope of "Gay Paree" : The merry widow
Hannah Robbins: "Come and play wiz me in Gay Paree" : approaching Cole Porter's Paris
Maya Cantu: Dessed by Paris : Mlle. Modiste, Roberta, and No strings
Michael G. Garber: Liberated by Paris : a reconsideration of three Broadway "flops" : Miss Liberty, Ben Franklin in Paris and Dear world
Stewart Nicholls: Seduced by Paris : Irma la Douce and its journey to Broadway
Marguerite Chabrol: <<The>> capital of pre-code operettas : Paris at Paramount and MGM
Julia L. Foulkes: Paris as location : Funny face, Les girls, Silk stockings and Gigi
Daniel Batchelder: Paris by hand : Gay Purr-ee and The aristocats
John Snelson: Shockwaves at a distance : Ellis and Herbert's Bless the bride
John Snelson: Performing Paris : Les misérables, The Phantom of the Opera, and Aspects of love
Clare Chandler: <<The>> courtesan and the collaborator : Marguerite
Florian J. Seubert: Gay shame in "Gay Paree" : re-contextualising gender progressiveness in two film versions of Victor/Victoria
Raymond Knapp and Mitchell Morris: À la recherche de quel temps? : Can-can and the fluidity of Paris perdu
Olaf Jubin: Art, artifice, and artificiality : the various versions of the musical Gigi
Robert Gordon: "Artists in art's capital city" : Americans in Paris on screen and stage
Robert Lawson-Peebles: Paris and the curse of Chicago in Stephen Sondheim's Sunday in the park with George
Pierre-Olivier Toulza ; translated from the French by Tesi Murphy: <<The>> paradoxical "Frenchness" of an Australian musical : Baz Luhrmann's Moulin Rouge!
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