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Displaying results 1 to 4 of 4.

  1. Painting, science, and the perception of coloured shadows
    'the most beautiful blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138488090
    Series: Science and the arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Painting, science, and the perception of coloured shadows
    "the most beautiful blue"
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138488090
    RVK Categories: LH 70080
    Series: Science and the arts since 1750
    Subjects: Ästhetik; Schatten; Malerei; Farbe
    Other subjects: Color (Philosophy); Shades and shadows; Painting / Philosophy; Shades and shadows in art; Color (Philosophy); Painting / Philosophy; Shades and shadows; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen, 26 cm
    Notes:

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value
  3. Painting, science, and the perception of coloured shadows
    "the most beautiful blue"
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138488090
    RVK Categories: LH 70080
    Series: Science and the arts since 1750
    Subjects: Ästhetik; Schatten; Malerei; Farbe
    Other subjects: Color (Philosophy); Shades and shadows; Painting / Philosophy; Shades and shadows in art; Color (Philosophy); Painting / Philosophy; Shades and shadows; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen, 26 cm
    Notes:

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value
  4. Painting, science, and the perception of coloured shadows
    'the most beautiful blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:4212:
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 2952
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    Kde 3072
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138488090
    Series: Science and the arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index