Includes bibliographical references and indexes Daniel Sullivan and Jeff GreenbergTerror management theory and film. A terror management analysis of films from four genres: The matrix, Life is beautiful, Iron Man 2, and Ikiru / Jeff Greenberg and Alisabeth Ayars: Introduction: when the lights go down Daniel Sullivan and Jeff Greenberg: Introduction: when the lights go down Joel D. Lieberman and Mark Fergus: The end is near: mortality salience in Apocalyptic films Sheldon Solomon and Mark J. Landau: Aspects of death denial in individual films and genres. Little murders: cultural animals in an existential age Jennifer L. McMahon: Icons of stone and steel: death, cinema, and the future of emotion Kirby Farrell: Consumed in the act: Grizzly man and Frankenstein Jamie L. Goldenberg: Black swan/white swan: on female objectification, creatureliness, and death denial Daniel Sullivan: Death, wealth, and guilt: an analysis of There will be blood? Sander L. Koole, Daniel Fockenberg, Mattie Tops, and Iris K. Schneider: The birth and death of the superhero film Peter Cowie: Directors engaging with death. Bergman and the switching off of lights Susan White: Death in the films of Stanley Kubrick Asbjorn Gronstad: Haneke's Amour and the ethics of dying Jennifer L. McMahon: The prospect of transcendence ; Visions of death: Native American cinema and the transformative power of death Kirk J. Schneider: From despair and fanaticism to awe: a post-traumatic growth perspective on cinematic horror Daniel Sullivan and Jeff Greenberg.: Conclusion: cinematic death benefits Jeff Greenberg and Alisabeth Ayars: Terror management theory and film. A terror management analysis of films from four genres: The matrix, Life is beautiful, Iron Man 2, and Ikiru Joel D. Lieberman and Mark Fergus: The end is near: mortality salience in Apocalyptic films Sheldon Solomon and Mark J. Landau: Aspects of death denial in individual films and genres. Little murders: cultural animals in an existential age Jennifer L. McMahon: Icons of stone and steel: death, cinema, and the future of emotion Kirby Farrell: Consumed in the act: Grizzly man and Frankenstein Jamie L. Goldenberg: Black swan/white swan: on female objectification, creatureliness, and death denial Daniel Sullivan: Death, wealth, and guilt: an analysis of There will be blood? Sander L. Koole, Daniel Fockenberg, Mattie Tops, and Iris K. Schneider: The birth and death of the superhero film Peter Cowie: Directors engaging with death. Bergman and the switching off of lights Susan White: Death in the films of Stanley Kubrick Asbjorn Gronstad: Haneke's Amour and the ethics of dying Jennifer L. McMahon: The prospect of transcendence ; Visions of death: Native American cinema and the transformative power of death Kirk J. Schneider: From despair and fanaticism to awe: a post-traumatic growth perspective on cinematic horror Daniel Sullivan and Jeff Greenberg.: Conclusion: cinematic death benefits |
