Includes bibliographical references (p. 249-269) and index Florian N. Becker, Paola S. Hernández, and Brenda Werth: Introduction: Imagining human rights in twenty-first century theater Florian N. Becker, Paola S. Hernández, and Brenda Werth: Introduction: Imagining human rights in twenty-first century theater Anne Lambright: Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission Luís Madureira: Where "God is like a longing": theater and social vulnerability in Mozambique Paola S. Hernández: The ESMA: from torture chambers into new sites of memory Brenda Werth: Surpassing metaphors of violence in postdictatorial Southern Cone theater Lindsey Mantoan: Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom Christina Wilson: Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird Sarah M. Misemer: Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin Ana Elena Puga: Migrant melodrama, human rights, and Elvira Arellano Camilla Stevens: Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater Joi Barrios: Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines Elizabeth S. Anker: "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul Eve Ensler, Lynn Nottage, and the campaign to end violence against women in the Democratic Republic of Congo: Broadway without borders Anne Lambright: Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission Luís Madureira: Where "God is like a longing": theater and social vulnerability in Mozambique Paola S. Hernández: The ESMA: from torture chambers into new sites of memory Brenda Werth: Surpassing metaphors of violence in postdictatorial Southern Cone theater Lindsey Mantoan: Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom Christina Wilson: Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird Sarah M. Misemer: Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin Ana Elena Puga: Migrant melodrama, human rights, and Elvira Arellano Camilla Stevens: Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater Joi Barrios: Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines Elizabeth S. Anker: "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul Eve Ensler, Lynn Nottage, and the campaign to end violence against women in the Democratic Republic of Congo: Broadway without borders |
